Alex Lubet is a composer, multi-instrumentalist, author, and educator.

While Lubet was written works in many media, his creative output in this millennium has focused almost exclusively on his own performance, mostly on a variety of plucked string instruments associated with American folk traditions. These include acoustic guitar, mountain dulcimer, National steel guitar, ukulele, and electric and acoustic bass. He performs solo and with groups including the Japanese-inspired ensemble-Ma, Deep State, with pianist Guerino Mazzola, One World, with Kurdish-Canadian kamanche (spike fiddle) player, Shahriyar Jamshidi, and a jazz duo (name tbd) with saxophonist Christopher Rochest. In addition to his own works, many composers have written works for Lubet, in particular composers from China, where he was lectured, taught, and concertized live and on television. Of late, he has become particularly well-known for his unique approach to mountain dulcimer.

Lubet is well-represented on recordings, as a soloist (Spectral Blues: New Music for Acoustic Guitar, Ravello), with Guerino Mazzola (Deep State, pfMENTUM) and with School of Music faculty guitarist Maja Radovanlija (The Enchanted Guitar Forest, Big Round). Noted critic Ted Gioia named Spectral Blues a “Best Album” of 2013. His works have received hundreds of performances on six continents and he has concertized in North and South America, Europe, and Asia. A (mostly) solo dulcimer album and recordings with Deep State and One World are all in their final stages of production.

As a scholar, Lubet is widely acknowledged to have pioneered the field of disability studies in music. His writings include Music, Disability, and Society, the first solo-authored monograph in that field, and dozens of chapters and articles on disability issues within and beyond music. He is also known for his articles on Bob Dylan and other popular, jazz, and blues artists. His work appears in both scholarly and popular media, the latter including such media outlets as CNN, Newsweek, Salon.com, Associated Press, and San Francisco Chronicle. He regularly teaches courses for the University of Minnesota’s Center for Bioethics.

Lubet is a Morse Alumni/Graduate & Professional Distinguished Teaching Professor of Music at the University of Minnesota, whose faculty in 1979. As a composition teacher, his primary commitment is to enabling students to find their own voices, to become better versions of themselves. His students write in a great variety of styles and media, ranging from oratorios to sound installations. He fosters a strongly collegial environment in his culturally and gender diverse studio and endeavors to promote performances and readings of student works, including having premiered and performed their pieces in such locations as New York, Canada, China, and South Korea.

Albums

Vanguards 2

Release Date: January 13, 2015
Catalog Number: RR7902
20th Century
21st Century
Chamber
Percussion
Piano
Voice
Ravello Records announces the second installment of its compilation series, VANGUARDS 2, presenting a deep cross-section of the label's contemporary and eclectic catalog. The album features performances by the London Symphony Orchestra, pianist Gregory Hall, the McCormick Percussion Group, mezzo-soprano Elaine Huckle, the Kiev Philharmonic Orchestra, Boston Musica Viva, guitarist Alex Lubet, Seattle Symphony Orchestra, and many more in works by contemporary composers including Mary Ann Joyce-Walter, Herbert Deutsch, Walter Ross, Rachel Lee Guthrie, Mark Vigil, Kim Halliday, Andrew May, Mel Mobley, Marga Richter, and others.
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Spectral Blues

Release Date: January 29, 2013
Catalog Number: RR7865
21st Century
Solo Instrumental
Guitar
Lifelong guitarist Alex Lubet has created a unique niche, combining his instrumental experience with his traditional studies of composition. On SPECTRAL BLUES, a full album of his works for steel-string acoustic guitar, Lubet combines the characteristics of blues and Eastern styles with classical methods of composition to create remarkably unique pieces that push the boundaries of the instrument. Combining natural harmonies with single-string multiphonics and dyads, Doppler bends, and more, Lubet presents multi-layered guitar music with an edge.
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