Gheorghe Costinescu, born in Bucharest in 1934 and residing in New York since 1969, has been active as a composer, conductor, pianist, musicologist, and educator.

After studying privately with Pascal Bentoiu and earning an M.A. in composition from the Bucharest Conservatory under Mihail Jora, he continued his studies with Karlheinz Stockhausen in Cologne and Luciano Berio at The Juilliard School in New York. In 1976 he received a Ph.D. with Distinction from Columbia University, where he studied with Chou Wen-chung.

His chamber, choral, orchestral, and stage works have been performed in major cities in Europe and the United States, and at the Royan, Shiraz-Persepolis, and Tanglewood festivals.

His stage work The Musical Seminar, a winner in the League-ISCM National Composers Competition, was premiered at Lincoln Center in New York City; the German version of the work was pro-duced by the State Opera of Stuttgart, and the British premiere took place at the Royal Scottish Academy of Music and Drama in Glasgow.

Costinescu has received grants and awards from the American Academy of Arts and Letters, the National Endowment for the Arts, the New York Foundation for the Arts, the American Music Center, Meet the Composer, and the Ford Foundation. He was a Fulbright Scholar and also received the Romanian Academy’s George Enescu prize; The Juilliard School’s Alexandre Gretchaninoff Memorial Prize; and fellowships from MacDowell Colony, Yaddo, and the Virginia Center for the Creative Arts.

His theoretical writings include articles on contemporary music, es-says on comparative aesthetics, and A Treatise on Musical Phonology.

Gheorghe Costinescu has held teaching positions at The Juilliard School, Columbia University, and the New School for Social Research. In 1982 he joined the faculty and subsequently directed the electronic music program at Lehman College of the City University of New York, where he became Professor Emeritus of Music in 2003.

Albums

Animated Sounds

Release Date: November 18, 2016
Catalog Number: RR7950
21st Century
Chamber
Solo Instrumental
Electronic
Piano
Voice
Ravello Records presents ANIMATED SOUNDS, a multimedia release from composer Gheorghe Costinescu. The album showcases works by Costinescu from a varied and illustrious career spanning more than half a century. The first half of the release is purely musical, with pieces such as the virtuosic Sonata for the Piano and Essay in Sound, performed by pianist Stephen Gosling, and the expressive Voices Within, performed by violinist Vesselin Gellev.

An Evolving Cycle

Release Date: November 19, 2013
Catalog Number: RR7878
21st Century
Solo Instrumental
Piano
Musical idioms have changed and adapted over the centuries. AN EVOLVING CYCLE, Gheorghe Costinescu's second Ravello release features four works for solo piano in which the composer explores the transition of these idioms from Baroque to 21st-century contemporary, charting the evolution of form and technique with a deft control of style. Stephen Gosling, a ubiquitous NYC pianist hailed as "brilliant" and "luminous and poised" (New York Times), performs the four works: Theme and Variations, an energetic, virtuosic, and challenging piece with a chorale-like theme; Sonata for the Piano, a combination of classical sonata and variational forms with elements, toward the end, of ragtime and jazz; Evolving Cycle of Two-Part Modal Inventions for Piano, a multi-part piece whose character, from simple to complex and from traditional to innovative, sets the tone for the entire album; and Essay in Sound, a reflection of Costinescu's own experience, thoughts, and feelings regarding the piano.

Jublius & Pantomime

Release Date: June 26, 2012
Catalog Number: RR7822
Ravello Records is pleased to announce the release of JUBILUS & PANTOMIME, a full-length DVD performance of the works by internationally acclaimed composer Gheorghe Costinescu. Performed by The Ensemble Sospeso at New York City's Miller Theatre, this live recording presents two of Constinescu's celebrated works: Jubilus for soprano, trumpet, and percussive body sounds, an expression of physical and spiritual rejoicing hailed as "a work of enormous vitality and originality" (Pittsburgh Post-Gazette); and Pantomime for chamber orchestra, a choreographic work for fifteen musicians featuring movement dictated by musical patterns called "a ballet of gestures sustained by lively and deeply felt music" (Le Monde).