Originally from the Outer Banks of North Carolina, Joshua Tomlinson is a composer, sound artist and teacher specializing in electroacoustic music and technology. His background is in rock music with subsequent classical training in voice and guitar, and his compositions incorporate a range of musical styles, instrumentation and media. Joshua serves on the steering committee of the New York City Electroacoustic Music Festival and he has participated as a composer and audio technician at NYCEMF since 2012. His compositions have also been performed at the PARMA, NSEME, SEAMUS, and EMM music festivals.

Recently he was commissioned to compose a ballet titled Sand, which premiered at the 2018 Puterbaugh Festival. It was based on the short story of the same name by German author Jenny Erpenbeck and produced in collaboration with choreographer Boyko Dossev. Joshua is an adjunct professor at Mid-America Christian University in Oklahoma City, and is currently completing his D.M.A. in Composition at the University of Oklahoma. His primary instructor is Dr. Konstantinos Karathanasis. When he isn’t composing or teaching music he enjoys surfing, diving, and traveling with his wife.

News

September 10, 2018
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Albums

Mind & Machine, Volume Two

Release Date: September 14, 2018
Catalog Number: RR7997
21st Century
Avant-Garde
Chamber
Electroacoustic
Electronic
MIND & MACHINE VOL. 2 is the second electro-acoustic compilation to be released on Ravello Records. Each of the seven composers featured on MIND & MACHINE VOL. 2 offers his or her own striking exploration into the means by which technology can be used to alter time and form to create entirely new musical experiences. This diverse assortment of composers have all taken different paths to reach that goal. The sounds of nature are manipulated or integrated into pieces such as Tom Prescott’s The Singing Forest and Jennifer Bernard Merkowitz’s Les Crapauds de la Fontaine, while Joshua Tomlinson’s Convergences utilizes the natural elements of metal and wood.
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