Artists

New York composer Debra Kaye has honed her craft collaborating with musicians of Manhattan's dynamic new music community. AND SO IT BEGINS, her debut album, is the result of this cross-pollination, with most of the music played by those who commissioned and premiered it. Music is movement - a concept from Kaye's Dalcroze studies, these pieces have a visceral, visual quality, balancing pathos and humor, poetry and drama, taking the listener on a wide ranging journey that blends her deep classical roots with traces of jazz, world music, folk and pop. She has been described as "a unique voice in American music, transcendent...witty...colorful...profound." Kaye's music has been played at notable venues in New York City and beyond - uptown at Carnegie Hall, Steinway Hall, Mannes College, downtown at Bargemusic, DROM, and Spectrum, with radio play on Chicago's WFMT and other regional stations. Career highlights include awards from ASCAP, Meet the Composer, Mannes College, Edward T. Cone Foundation, residencies at the Millay Colony and Helene Wurlitzer Foundation, and three OFF-OFF Broadway productions of The Ugly Duckling, with laudatory notice from the New York Times. A graduate of Mannes College of Music and New York University with degrees in composition and piano performance, Kaye rounded out her musicianship with jazz piano. A faculty member of the Mannes College Preparatory Division, she has served as executive director of the NY Composers Circle and president of the Howland Chamber Music Circle in Beacon NY. Debra wishes to express gratitude to her inspired teachers, Justin Blasdale, Anne Farber, Mike Longo, Ruth Schonthal, and the dedicated excellence of producer Judith Sherman, and the players on this album.

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Acclaimed by Fanfare Magazine as "Truly masterful�a modernized Rachmaninoff" Christopher J. Keyes (b. 1963) began his career as a pianist, winning many competitions and later making his "double-debut" in Carnegie Hall as both soloist and guest composer with the New York Youth Symphony. He continued his musical training at the Eastman School of Music, completing his doctorate in 1992. His major composition teachers include Joseph Schwantner, Samuel Adler, Christopher Rouse, and Robert Morris. Among his numerous awards are the Eastman Szernovsky Award, several ASCAP Grants to Young Composers, and the Rudolf Nissim Award for best orchestral work written by a living ASCAP member. Since the late 1990s his work has focused on electro-acoustic music, multi-channel audio, and more recently computer graphics as mediums to expand the possibilities of acoustic instruments in concert. His compositions have been performed and broadcast in over 30 countries worldwide. He is currently an Associate Professor at Hong Kong Baptist University. Solo CD's and a multi-channel DVD of his music can be heard on the Centaur (CRC 2377) and Capstone (CPS-8739) labels. More information is available on his website, located at http://www.hkbu.edu.hk/~ckeyes.

"Composer Philip Koplow is on to something. If you want to excite people about contemporary music, make them a part of it." Cincinnati Post music critic Mary Ellyn Hutton's review of Legacy: J. Ralph Corbett

Philip Koplow's first association with professional Cincinnati musicians was the Cincinnati Chamber Orchestra's performance of his tone poem Generations in 1980. Koplow has had fine orchestral success - his music has been performed by the Cleveland Symphony, the Cincinnati Symphony, the Cincinnati Pops, the National Symphony, the Los Angeles Philharmonic, the Wyoming Symphony, the Columbus Symphony, the West Chester Symphony, the Blue Ash Symphony, the Northern Kentucky Symphony, and has been recorded by the Silesian Philharmonic in Poland.

Koplow believed that composers should be involved with their communities. He composed music for regional events like the Cincinnati Bicentennial (the Pulitzer Prize-nominated musical theater work On the Banks), the CSO centennial season (Clear to the Final Ocean, which incorporated 11 community handbell choirs), and the Night of the Murdered Poets, a commemoration of Jewish poets executed in Moscow in 1952. In this program (Music Hall, 1983), Paul Nadler led the CCO and the Cincinnati Choral Society.

Koplow was also a national leader in the composition of audience-interactive music. In Legacy: J. Ralph Corbett, 850 audience members played NuTone chimes along with Jesus Lopez-Cobos, Keith Lockhart, and the CSO. In Hello Family, children make an instrument (the "Drumpet" invented by ethnomusicologist Craig Woodson), learn about orchestral families, and perform with the orchestra. At a July Riverbend Family concert, the CSO became the sixth orchestra to play Hello Family. Mikro-Koplows, a collection of children's piano pieces, and his Elegy for Viola and Orchestra: Martin Luther King Jr. are on the Master Musicians Collective label.

The composer was also involved with area schools, composing for these schools' ensembles and often setting children's poetry to music. A project with the Heritage Elementary School saw workshops and assemblies at the school and the composition of a new work for the West Chester Symphony - The Land of Nod, for solo piano and orchestra.

A native of Cleveland OH, Koplow received degrees from Kent State and his doctorate from the Cleveland Institute of Music where one of his classmates was Paul Nadler. In Cleveland his teacher was Donald Erb. Starting in 1976 he was the composer-in-residence at Northern Kentucky University.

In Cincinnati, three mayoral proclamations have marked Koplow projects. The composer had commented, "Some people question whether the orchestra should survive, and others question whether they should do any music by living composers. I think the answer to both problems is to reach the community."

Joseph Koykkar (b. 1951), composer, has had his music performed nationally and internationally for the past 30 years, including performances and commissions by many of the leading new music ensembles in the nation including the Relache Ensemble, Present Music, Zeitgeist, New York New Music Ensemble, North/South Consonance, Synchronia, and the C.A.L. Ear Unit. His music can be heard on seven CDs, including an all-Koykkar CD released on Northeastern Records in 1992. Other labels which have released his music are MMC, Meyer Media, Equilibrium, SEAMUS, In-Sync, and North/South. He has composed in a variety of media including chamber music, orchestral scores, music for dance, film/video scores, and electronic/computer music. He holds degrees from Indiana University (Master of Music) and the University of Miami (D.M.A.). He has received grants and awards from such sources as the Pew Charitable Trust for Music, the NEA, Meet the Composer, ASCAP, the American Music Center, the Wisconsin Arts Board and the American Composers Forum. He was composer-in-residence for the NOW Festival '96 at Capital University in Columbus, OH. His compositions are published by Belwin-Mills, Subito Music and JNK Music. He spent two years as composer-in-residence with the Artists-in Schools Program in Virginia from 1978-80. As a professor at the University of Wisconsin-Madison since 1987, he teaches courses in music technology/sound design and Music Director for the UW-Madison's Dance Program.

KATARINA KRPAN (Zagreb, 1972) graduated in 1992. She holds two master degrees: one from the Conservatoire de Musique in Lausanne, and another from Zagreb Academy of Music, University of Zagreb. She performed extensively throughout the world, from North to South America, to Africa, Australia, and chroniclers emphasized her profound sense for tone color and pedaling, sense of form, and her ability to subtly communicate with the audience. When it comes to her choice of repertoire, she is prone to accepting challenges of the new, the complex – in the intellectual sense and in terms of performance. Today she engages the most challenging pages of pianist literature, such as integral performances of prominent difficult etudes of György Ligeti or the one-hour cycle entitled Kate's Kiss, dedicated to her by Croatian composer Mladen Tarbuk. Her extensive recording archive contains numerous studio recordings and several albums made for Croatian and international record labels. Her artistic interest in 20th-century music is especially pronounced, along with her attention to detail and dedication especially to Croatian musical creation. Her conviction in the necessity of promoting national musical production is something she endows her students with, such as in 2010 when she founded the HR Project that brought together students of music high schools and students of music academies from different departments with the aim of working on compositions by Croatian authors. The project assumed the significance of a movement. The HR Project was awarded with the Plaque of the City of Zagreb. The various awards she received thus far acknowledge the value of her activities. Beside the aforementioned ones, she was the winner of the Vatroslav Lisinski Prize of Croatian Composers' Society (2013), Milka Trnina Award of the Croatian Association of Musicians (2013), and the Neven Prize of St Mark Festival (2014). She is Full Professor at the Zagreb Academy of Music, University of Zagreb, and Head of Postgraduate Studies Council at the University of Zagreb Academy of Music. For a number of years, she served as a Visiting Professor at the Steinway Academy in Verona (Italy).