• Pianist

    Anne H. Goldberg-Baldwin blurs the definitions of music and dance as a composer, choreographer, performer, and educator, a vanguard of interdisciplinary performance art. She is co-founder and Artistic Director of the Tempus Continuum Ensemble, a new music ensemble premiering and performing the works of emerging and living composers. Goldberg’s music has been premiered and performed by ensemble mise-en, the Boston New Music Institute, the Novatrio, NeoLit Ensemble, and at festivals such as the International Ferienkurse für Neue Musik Darmstadt and the Summer Institute for Contemporary Performance Practice at New England Conservatory. Her artistry has been featured in New York venues such as Symphony Space, the Kitchen, the Flea Theater, and many others nationally and internationally.

  • Composer, Guitarist

    Stuart Weber's passion for the guitar was ignited early on when at age 12 when a cousin loaned him a flood-ravaged folk guitar. Undaunted by its poor condition, Weber began a ravenous period of self-study, which carried him through his teenage years and beyond.

  • Saxophonist

    Dr. Paul Cohen is one of America’s most sought-after saxophonists for orchestral and chamber concerts and solo recitals. He has appeared as soloist with the San Francisco Symphony, Richmond Symphony, New Jersey Symphony, Charleston Symphony, and Philharmonia Virtuosi. His many solo orchestra performances include works by Debussy, Creston, Ibert, Glazunov, Martin, Loeffler, Husa, Dahl, Still, Villa-Lobos, Tomasi, and Cowell.

  • Ensemble

    Hailed by the Columbia Daily Tribune as adding a “fresh dimension” to the concert experience, Khemia Ensemble is dedicated to reflecting broader perspectives in contemporary classical chamber music. With its dynamic instrumentation (soprano, flute, clarinet, violin, cello, piano, two percussion), Khemia’s unique sound world encompasses the presentation of new classical music with a mix of acoustic chamber works, multimedia, and multi-genre influences.

  • Composer, Violinist

    Avner Finberg is an Israeli-American composer and violinist. He studied composition with Ari Ben-Shabtai at The Jerusalem Academy of Music, with Robert Cuckson at The Mannes College, and with Susan Botti at Manhattan School of Music, where he earned a doctorate dfasin composition in 2015.

    Finberg’s music has been described by Steven Stucky as “reined, mature work of impeccable technique, original voice, and considerable ambition.” His musical inspirations stem from his Israeli roots and his current life in the United States, combining without discrimination multiple world music traditions with contemporary and classical music techniques and modern technology.

  • Ensemble

    The ANIMO flute and piano duo is the creation of flautist Sarah Waycott and pianist Yanna Zissiadou. Both experienced performers and educators, they came together in 2018 to form an idea for a contemporary music duo that will break through the “Classical Music” norms and perform music that is soulful and accessible by all, regardless of its origins, style, and medium.

  • Cellist, Composer

    Chris Chafe is a composer, improvisor, and cellist, developing much of his music alongside computer-based research. He is Director of Stanford University's Center for Computer Research in Music and Acoustics (CCRMA). At IRCAM (Paris) and The Banff Centre (Alberta), he pursued methods for digital synthesis, music performance, and real-time internet collaboration. CCRMA's SoundWIRE project involves live concertizing with musicians the world over. Online collaboration software including jacktrip and research into latency factors continue to evolve. An active performer either on the net or physically present, his music reaches audiences in dozens of countries and sometimes at novel venues.

  • Ensemble

    Formed in 2014, DRAX is a faculty ensemble-in-residence at the University of Missouri School of Music with Leo Saguiguit (saxophone) and Megan Arns (percussion). Dedicated to performing and creating new repertoire for this unique combination of instruments, the duo made its international debut at the World Saxophone Congress in Strasbourg, France. DRAX has performed at the Mizzou International Composers Festival, the Percussive Arts Society International Convention, conferences of the North American Saxophone Alliance, Odyssey Chamber Music Series of Columbia, Mareck Center for Dance, and residencies at universities including Virginia Tech University, Sam Houston State University, Colorado State University, and the Eastman School of Music.

  • Pianist

    Dr. Sang-Hie Lee, Professor of Music at the University of South Florida, is an active teacher, pianist, researcher, author, and cross-disciplinary administrator. As the founder of Ars Nostra, she performs piano ensemble music by significant living composers: her music is featured on six albums by Ravello, Centaur, Capstone, and Albany labels. Lee is the principal author of Scholarly Research in Music: Shared and Disciplinary-Specific Practices (McGraw Hill, 2012-2013, Routledge 2017, 2022). She is the primary editor of Perspectives in Performing Arts Medicine: A Multidisciplinary Approach (Springer 2020) and was the founding Editor of the Cultural Expressions in Music Monographs Series (College Music Society 2008-2014). She is the author of 74 scholarly publications, has presented 85 conference papers, keynotes, and lectures, hosted seven international conferences, and performed numerous solo and chamber-music concerts in the United States, South Korea, China, Serbia, Brazil, Italy, and Canada.

  • Pianist

    Pianist Dr. Martha Thomas has given concerts and presentations across the United States, Canada, Australia, Europe, South America, and Africa. Thomas is featured on 11 albums on the ACA Digital, Centaur, Ravello, and Albany labels. Her latest, ECHOES: Past and Future, features music from the 20th and 21st centuries, including Noggin by Pulitzer Prize-winning composer Melinda Wagner. She has been praised for the “lyrical beauty of her playing” and “her mastery of rhythmic and textural complexities.”

  • Darryl Friesen


    Darryl Friesen has been praised for his “rich palette of tonal colour” and performances of “intimate, poignant simplicity” (Winnipeg Free Press). He has given acclaimed performances as a soloist and collaborative artist across Canada, the United States, Europe, China, and Brazil, and has been featured many times in concert on CBC Radio. He has performed with the Winnipeg Symphony Orchestra, Winnipeg Chamber Music Society, and has appeared on the Virtuosi recital series. As a collaborator and recitalist, he has performed with many distinguished artists, including Elliot Madore, Andrew Wan, Allen Harrington, David Moroz, Jessica Strong, Valdine Anderson, Oleg Pokhanovski, the Adaskin String Trio, and the Martha Graham Dance Company.

  • Sarah Belle Reid

    Composer, Performer

    Sarah Belle Reid is a performer-composer who plays trumpet, modular synthesizer, and an ever-growing collection of handcrafted electroacoustic instruments. Her unique musical voice explores the intersections between contemporary classical music, experimental and interactive electronics, sound installation, visual arts, noise music, and improvisation. Often praised for her ability to transport audience members through vivid sonic adventures, Reid’s sonic palette has been described as ranging from “graceful” and “danceable” all the way to “silk-falling-through-space,” and “pit-full-of-centipedes” (San Francisco Classical Voice).

  • Composer, Performer

    David Rosenboom is a post-genre composer-performer, interdisciplinary artist, author, and educator known as a pioneer in American experimental music. Since the 1960s, his multi-disciplinary work has traversed ideas about spontaneously evolving musical forms, languages for improvisation, new techniques in scoring, cross-cultural and large-form collaborations, performance art and literature, interactive multimedia and new instrument technologies, generative algorithmic systems, art-science research and philosophy, and extended musical interface with the human nervous system. He was Dean of The Herb Alpert School of Music at California Institute of the Arts from 1990 through 2020, where he now holds the Roy E. Disney Family Chair in Musical Composition.

  • Cellist, Composer

    With his unique blending of musical styles, cellist Caleb Vaughn-Jones’s playing style has been described by The Baltimore Sun as an “exploratory grasp of the cello with an anything-but-classical approach to the classical repertoire.”

    Born in Charleston SC, Vaughn-Jones had his first exposure to classical music by attending performances by the Charleston Symphony Orchestra.

    During his teens, he was inspired by a wide range of musical styles. However, he grew increasingly interested in jazz and classical music during this time.

  • Andrea Vos-Rochefort

    Clarinetist, Composer

    An engaging and accomplished clarinetist, Andrea Vos-Rochefort regularly premieres new works in recitals and at Clarinetfest, and has performed with the Dayton Philharmonic, Orchestra Kentucky, Richmond Symphony, Lima Orchestra, Carmel Symphony, Cincinnati Chamber Orchestra, Cincinnati Symphony Orchestra, West Virginia Symphony, Fort Worth Symphony, Corpus Christi Symphony, Midland-Odessa Symphony, and San Antonio Symphony. Vos-Rochefort is the Assistant Professor of Clarinet at Texas A&M University-Kingsville and previously served as Adjunct Instructor of Clarinet at University of Dayton and Stivers School for the Arts.

  • Wesley Ferreira


    With a charismatic blend of technical flair, polish, and grace, Portuguese-Canadian clarinetist Wesley Ferreira is widely considered a gifted expressionist. Equally at ease performing masterworks and contemporary repertoire, he has been praised by critics for his “beautiful tone” and “technical prowess” (The Clarinet Journal) as well as his “remarkable sensitivity” (CAML Review), and Fanfare Magazine notes that he is “clearly a major talent.”

  • Sonic Arts Ensemble


    The Sonic Arts Ensemble, founded by Marc Ainger and Ann Stimson (with Federico Cámara Halac as occasional co-director for this recording), is interested in sound and music as a multi-modal, embodied phenomenon. Their repertoire ranges from composed, notated scores to freely-structured co-improvisations. During the pandemic, the ensemble became a truly international group, leveraging the online environment to contribute to the emergent medium of networked performance, with members and guests joining together from the United States, Argentina, and Austria. Using software such as Jacktrip (Chris Chafe et al), and the elegantly titled Netty McNetFace (Puckette), the ensemble created audio networks using low-latency, high quality, uncompressed audio, facilitating real-time collaboration over “a long, thin wire” (hat tip to composer Alvin Lucier). The tracks here represent the ensemble’s live performances across the internet during this time.

  • Lucia Lin


    Lucia Lin has performed as soloist, as chamber musician, and in orchestras throughout the United States and internationally in a diverse multi-faceted career that also includes teaching and collaborative efforts with both visual and performing arts. Lin made her debut at age 11, performing the Mendelssohn Concerto with the Chicago Symphony and went on to be a prize winner in numerous competitions, including Moscow’s prestigious International Tchaikovsky Competition. Described as a soloist with “virtuosity and insight” who is “passionate and graceful” (Indianapolis Star), and whose playing has “a genuine fresh quality not often heard” (Cincinnati Enquirer), Lin’s performances include solo appearances with orchestras in Europe as well as a solo recital at Weill Recital Hall at Carnegie Hall.

  • Pianist

    The 2014 and 2018 Latin Grammy® Nominee for Best Classical Album and 2008 Grammy® Nominee for Best Instrumental Soloist without Orchestra, pianist Allison Brewster Franzetti has received international acclaim from critics and audiences alike for her stunning virtuosity and musicality, both as a soloist and chamber musician. Her performances include the live Latin Grammy® Awards television broadcast, the Grammy® Awards Classical Music Tribute to Earl Wild and Lang Lang at the Walt Disney Concert Hall in Los Angeles, the American Classical Music Hall of Fame, the Robert Schumann Festival at the Marcella Sembrich Museum in Lake George NY, the Campeche Festival in Mexico, and at the opening of the VI International Festival of Music at the Teatro Colon in Buenos Aires, Argentina.

  • Guitarist

    Alan Rinehart has over 45 years experience as a professional classical guitarist with many contributions to the guitar world as a performer, teacher, and music editor. Upon completing university he studied lute repertoire and technique in London, England at the Early Music Centre.