Catalog

Stefan Poetzsch composer

Celestial Images From The New General Catalog Christopher J. Keyes composer

NO SUGGESTION OF SILENCE was originally released in 2001 and was lauded as "truly refreshing " (21st Century Music) and "sophisticated" (New Music Connoisseur). Featuring performances by pianist John Root, flutist Hugh Williams, The Next Stage Speaking Chorus, The Barbad Chamber Orchestra with violinist Sebu Sirinian and conductor Ramin Heydarbeygi, The Choir of the Church of St. Mary the Virgin, and the Goliard Chorale with the P.S. 122 Children's Chorale, clarinetist Thomas Piercy, cellist Jane Lawson, and pianist Judith Olson.

REFLECTED LIGHT was originally released in 1995 and features stunning performances by pianists Jerome Reed, Jeananne Albee, and Sibylle Dotzauer; cellist Mary Lou Rylands; harpsichordist Ursula Trede-Boettcher; clarinetist Markus Lucke; The Constitution Brass; and the Chamber Choir of the Staatliche Jochschule fur Musik.

THE MCLEAN MIX: RAINFOREST IMAGES was originally released in 1993 was lauded as "awesome" (ClassicalNet) and "one of the more convincing Fast-West syntheses since Philip Glass's music for Kundun" (Twentieth Century Music).

FROM MOOG TO MAC is a collection of Deutsch's compositions for and performances on the Moog synthesizer spanning the last 30 years, from works written using the original "portable electronic music studio" to those written on the modern variations. This historic release features developmental tracks tracking the genesis and improvements on the synthesizers, in which Deutsch frequently pushes the boundaries of both musical content and technological innovation.

ELECTRIC CLARINET was originally released in 1991, and features clarinetists F. Gerard Errante and Burton Beerman performing the works of Jane Brockman, Beerman, Vladimir Ussachevsky, Errante, and Thea Musgrave.

SHADOWS OF ANCIENT DREAMS was originally released in 1997, and features clarinetist F. Gerard Errante performing the works of Charles Bestor, Robert Scott Thompson, Todd Winkler, Douglas Quin, and Michael Lowenstern.

THE ELECTRIC PERFORMER was originally released in 1997 was lauded as "awesome" "at times Cageian and Crumbian" (ClassicalNet).

The works of Andrew May nearly defy classification, seamlessly blending the personal expressiveness of traditional classical performance with the alien landscape of ambient computer music. On IMAGINARY FRIENDS, his debut release, May invites the listener to experience the drama of people and machines making intimate chamber music together, blurring the lines between human and inhuman, and traditional and experimental.

SIDEWALK MUSIC was originally released in 2002 and represents the composer’s quest “to write electronically-made music that communicates any number of different ideas or emotions.” The music on this release is an enticing exploration into the endless possibilities of expression through the manipulation of pre-recorded and electronic sounds.

On his debut release on Ravello Records, SONG OF THE CENTRAL TREE, enigmatic Australian composer Ron Nagorcka presents an eclectic collection of his chamber and electroacoustic works that highlight his affinity and aptitude for creating complex and asymmetrical rhythmic patterns, utilizing just intonation, and, in a number of works, reflecting the Australian landscape. Nagorcka’s intricate cross-rhythms, use of the didjeridu and microtonal melodies reflect the influence of Australian indigenous culture, while the theory behind the rich contrapuntal and harmonic textures he achieves using microtones has roots in ancient Greece and Asia as well as medieval and renaissance Europe.

Violinist Mikylah Myers and flutist Francesca Arnone perform diverse electroacoustic pieces on their first collaborative album REACT, released on Ravello Records. The works on this album demonstrate well the potential range of electroacoustic music in facilitating both experimental and traditional compositional ideas. The featured composers explore new ways of creating and organizing sound, and as performed with either computer or other interactive electronics, the violin and flute help construct unique sonic landscapes.

“We’re really trying to find a whole new language,” says harpist Heidi Krutzen, “and a new way of moving our instruments forward.” New languages and propulsive forward motion abound on MAXWELL, MUHLY, & COULOIR, the second Ravello Records release from the elegant, unusual duo COULOIR. Krutzen and cellist Ariel Barnes utilize their unconventional timbral combination to maximum effect in Serere by composer James B. Maxwell. Originally composed for the Canadian company Ballet Kelowna, the piece features gossamer, glacial sonorities as well as aggressive, pounding rhythmic structures, all bound together over the course of an epic sonic journey.

Innovative New Music trumpeter Stephen Ruppenthal commands attention right out the gate. Or perhaps, more specifically, he commands it right out the “NGate” – the subtitle of the opening track on FLAMETHROWER, his Ravello Records debut. The album contains world premieres of five pieces for trumpet, flugelhorn, voice, and crotale, composed specifically for Ruppenthal by Allen Strange, Bruno Liberda, Elainie Lillios, and Brian Belet.

Steven Kemper makes his debut on Ravello Records with his electroacoustic album MYTHICAL SPACES. Kemper combines acoustic instruments and electronics to create meditative compositions that explore the connections between real and imaginary worlds. Kemper writes that “myths represent traces of our collective imagination, and similarities between myths from different cultures point to a shared human experience.”

Ravello Records is proud to present RIPPLING, a new album by composer Robert Morris. Morris recorded the album live at a “Summer at Eastman Concert” in Hatch Recital Hall, in Rochester, NY. Consisting of only two tracks, “Mountain Streams” and “Mysterious Landscape,” these dramatic compositions turn ordinary sounds of nature in extraordinary pursuits of sonic ambience. Like a drop in a pond, both tracks start small and simple only to evolve into an all-encompassing, full sound that excites curiosity while evoking relaxation.

WAKING THE SPARROW, the premiere recording on PARMA RECORDINGS from classical and baroque guitarist Robert Nathanson and soprano Nancy King, performing as Duo Sureño, is the result of a twenty-year long journey exploring the grandeur of the human voice blended with the vibrancy of the guitar. Interpreting the work of five notable modern composers who were, in turn, inspired by the words of poets throughout the ages, Nathanson and King deliver a stunning performance that is rich in its variety and impressive in scope.

David Taddie’s new album FANCY COLORS blurs the spectrum between acoustic and electronic music into an unorthodox wave of sound. In contrast to the primary characteristics of each type of music, Taddie creates sophisticated, complex compositions by blending the sounds of string and woodwind instruments with the influence of computer-generated effects. Written and recorded over two decades, FANCY COLORS is the result of Taddie’s exploration of timbre and space using the electronic medium. The eight tracks on the album expand the boundaries of the otherwise conventional sounds of instruments like the flute and piano to a grandiose level.

MIND & MACHINE is the first of two electro-acoustic compilations to be released on RAVELLO RECORDS. Featuring the work of seven composers on six tracks, MIND & MACHINE explores the incredible range of works that can be categorized as electro-acoustic, a music in which styles are dictated by the technology that is at the heart of its performance. As far-ranging as are the works themselves are the composers of these pieces.