Genre: Chamber

On LO & BEHOLD, percussionist Ralph Sorrentino brings percussion instruments to the fore to highlight their versatility in solo and chamber music settings. Five pieces, from a variety of composers, highlight the moods, emotions, timbres, and textures that can be expressed by the instruments of the percussion family. The revelatory album introduces innovative compositions into the percussion repertoire, and the performers’ technical prowess yields a collection of engaging and musically sensitive performances.

Ravello Records is proud to release SIX ECOACOUSTIC QUINTETS / AVIAN TELEMETRY, the newest album from Matthew Burtner. In collaboration with Omar Carmenates, the Furman Percussion Ensemble, and the Shi Center for Sustainability, Burtner’s compositions incorporate avian biology, soundscape ecology, romantic-period British poetry, ecoacoustic music, and avant-garde percussion performance. And if you find all that surprising, you’re not familiar with the work of these two innovative groups.

Fresh from Ravello Records is the McCormick Percussion Group’s STRINGS & HAMMERS. In this latest offering, the MPG tackles a program of new and politically charged works. They are joined by the violin-bass-piano trio Strings and Hammers. Together, the ensemble of string and percussion players employs rhythm, eccentric timbres, and even their own yelping, whispering voices to express powerfully relevant themes.

Ravello Records proudly presents Escape X’s sophomore release, OUR FAVORITE THINGS. The album, which is the group’s first project with Ravello, features the music of contemporary composers and artists ranging from award-winning jazz artist Joe Locke to internationally-renowned New Zealand composer John Psathas and many others. Jazz, percussion, and pop all find a home on OUR FAVORITE THINGS.

From the opening notes to the last few seconds of the album, the fullness of the experience in SPRING SHADOWS is impossible to deny. Like emerging from the dark, the way the album hits the listener feels fresh and rejuvenating.

Taktus Duo’s MIRRORED GLASS is all about examining similarities and differences, like reality and the image in the mirror. Creating a two-sided album, percussionists Greg Harrison and Jonny Smith take inspiration from piano composers Ann Southam and Philip Glass and filter their music through the sounds of the marimba.

CLICKABLE: THE ART OF PERSUASION, from the celebrated duo of flutist Zara Lawler and marimbist Paul J. Fadoul, is a concept album, an audio version of a live show that uses theatrical performance and audience participation to convey the many facets of persuasion - from powerful storytelling to coercion, pressure, and manipulation. The album includes commercial jingles, a lullaby, dust jacket texts set to music, a protest song, a serenade, and a spoken-word commentary on social media.

New from Ravello Records comes composer James O’Callaghan’s ALONE AND UNALONE, a scintillating dance between reality and abstraction that is sure to spark the listener’s imagination and unearth their most primal misgivings. Montréal-based O’Callaghan has been laurelled with innumerable awards and prizes for his work–and rightfully so. Marrying traditional instruments, ambient sounds, and the incomparable power of the human voice, ALONE AND UNALONE dares the listener to grapple with solitude.

Composer Bill Whitley is no stranger to storytelling through the art of composition. Central themes in his works include that of embarking on a journey, the thrill and spontaneity of discovery, and the comfort and reflectiveness of the eventual returning home. These form a story arc as old as time, beautifully transcribed and made new through Whitley’s compositions.

SOLI FOR TUBA, ZHENG, HORN WITH PERCUSSION is percussionist Robert McCormick’s tenth album with PARMA Recordings. On their latest album, the McCormick Percussion Group performs five compositions from four distinct composers, each of whom contributes striking works that range from personal to global inspiration.

Follow composer Richard Carr as he guides you through his world-travel experiences in his Ravello Records release PLACES I’VE WALKED. The feeling of authenticity cannot be understated in these compositions, divided into four parts.

The 15 tracks on Thad Anderson’s LINES & SPACES are from his Lines series, based on his compositional technique called “duration lines” that create both structure and polyrhythmic interest. Anderson integrates traditional instruments with fixed media, live processing, and tuned metals to create pieces that are infinitely malleable.

Composer Frederic D’Haene creates a remarkable musical world in MUSIC WITH SILENT AITAKE’S. When he was 25 years old, D’Haene began his life-long fascination with gagaku music, or traditional Japanese court music, that has informed his compositional style throughout his career. This study of a musical style different from that of his own culture resulted in what the composer calls “paradoxophony” or “paradoxical coexistence.”

While New Zealand guitarist and composer Campbell Ross cites influences as varied as Claude Bolling, Manuel Ponce and Benjamin Britten when discussing the works featured on CONCERTANTE, it is clear that his own distinctive style is manifested throughout the album. The first of CONCERTANTE’s Modern Works For Guitar opens with the three-movement Concertante for guitar, jazz trio and strings - a work that allows all of the album’s performers to be featured as soloists. Its kaleidoscopic first movement reveals elements of Latin, Blues, Jazz, and Classical genres that, when combined with the Spanish touches in the final movement, encompass the major musical styles that have influenced Ross over the past 30 years.

INTERFACES explores the different ways a computer can fit in a modern jazz ensemble and still be true to itself. Technology performer Jeff Morris is joined by free jazz icon Karl Berger on vibes and piano as well as innovative New York percussionist Joe Hertenstein. Morris takes sounds from his partners live in the moment and transforms them into his own musical voice with the DNA of acoustic sounds and the fingerprints of digital processing. This live sampling improvisation results in expressively shifting quasi-loops and glitchy melodic gestures, drawn from music that just happened and influencing what the performers will do next.

On 3: THE MUSIC OF GINA BIVER, her debut recording on Ravello Records, composer, guitarist, vocalist and producer Gina Biver presents five selections featuring the concept-based new music/new media performing collective Fuse Ensemble, a group in which she has played an integral part for the past decade. Not only did Biver compose the five tracks on the album, she either performed on, produced, mixed and/or engineered many of them.

With THE BROKEN VESSEL, Andreas Barth, Geir Hjorthol and Magnar Åm take the concept of “industrial music” to a whole new level. The recording took place in an abandoned Norwegian factory, “The Propeller Hall,” utilizing everything from the acoustics in the building to the muffled sounds of traffic outside its walls. In this way the building became a partner in a concrete as well as a metaphorical way in creating the music of this ten-track album.

Steven Kemper makes his debut on Ravello Records with his electroacoustic album MYTHICAL SPACES. Kemper combines acoustic instruments and electronics to create meditative compositions that explore the connections between real and imaginary worlds. Kemper writes that “myths represent traces of our collective imagination, and similarities between myths from different cultures point to a shared human experience.”

Juxtaposing the loud and abrasive with the soft and subtle, the McCormick Percussion Group balances tumult and tender in KID STUFF. Led by director Robert McCormick, Professor of Music at the University of South Florida in Tampa, the percussion orchestra re-imagines original compositions from five key contemporary classical composers.

On TWILIGHT REMEMBERED (2003), musical and marital partners Robert and Kim McCormick join forces as the McCormick Duo, performing percussion and flute, respectively. The album presents a collection of contemporary compositions for these two instruments, including works from Paul Bissell, Elliot Carter, Andre Jolivet, Ralph Shapey, David Heuser, Henri Lazarof, Hilton Jones, Wesley Fuller, Howard Buss, Kent Kennan, and Daniel Adams.