Instrumentation: Piano

Paul Kirby's FOUR SONATAS was originally released in 2008, and features stellar performances by Rodger Lee, Steve Graff, Erin Lesser, James Noyes, and Yegor Shevtsov.

Through keen observations of nature, imaginative nocturnal scenes, and apt studies in form, Rachel Lee Guthrie crafts a series of works for solo piano in romantic and baroque styles, letting her impressionistic influences shine through with meditative beauty. From the emotional Serenade to the dynamic Lullaby to the lively Waltz, Guthrie proves herself capable of expressing a wide range of feeling and pianistic style. On EXPLORING THE HEART, a collection of 10 of Guthrie's works for solo piano, her qualities as a composer shine and receive ample support from pianists Karolina Rojahn and Dmitry Tavanets.

CONCERTO FOR PIANO WITH PERCUSSION ORCHESTRA is the fifth Ravello release from the acclaimed McCormick Percussion Group. Living up to their reputation as vanguards of percussion repertoire, the Group uses this album to explore the possibilities of collaboration between piano and percussion wherein neither steals the spotlight. Along with Ji Hyun Kim ("a masterful pianist" - Piano Magazine), the McCormick Percussion Group performs the works of Igor Santos, Mel Mobley, David Gillingham, and David Noon with precision, emotion, and purpose.

The works of Andrew May nearly defy classification, seamlessly blending the personal expressiveness of traditional classical performance with the alien landscape of ambient computer music. On IMAGINARY FRIENDS, his debut release, May invites the listener to experience the drama of people and machines making intimate chamber music together, blurring the lines between human and inhuman, and traditional and experimental.

FANTASIES FOR ADULTS AND OTHER CHILDREN was originally released in 1999 was lauded as "awesome" and "at times Cageian and Crumbian" (ClassicalNet).

David Bennett Thomas' CHAMBER WORKS was originally released in 2005, and was lauded as "immediately engaging" (Philadelphia Music Makers) and "concise and comprehensible" (American Record Guide).

Phillip Schroeder's SONGS OF MY AFFINITIES was originally released in 2003, and was lauded as "gems of the American repertoire" (New Music Connoisseur) and "striking and beautiful" (Sequenza21).

SIDEWALK MUSIC was originally released in 2002 and represents the composer’s quest “to write electronically-made music that communicates any number of different ideas or emotions.” The music on this release is an enticing exploration into the endless possibilities of expression through the manipulation of pre-recorded and electronic sounds.

JAMES ADLER & FRIENDS, an album of works by and commissioned for pianist, composer, and Yamaha Artist James Adler, features works by Leo Ornstein, Paul Turok, Seth Bedford, Franz Liszt, Stephen Sondheim, and Adler himself, showcasing his penchant for both contemporary and traditional concert repertoire. These pieces offer a career-spanning glimpse into Adler's career, from his first publicly performed piece, to works sprouted from personal collaborations, to his own original compositions and arrangements. Adler's performances on JAMES ADLER & FRIENDS are joined by saxophonist Jordan P. Smith and baritone Malcolm J. Merriweather.

OBSTRUCTED VIEW was originally released in 2005 and was lauded as "deft, challenging and eclectic" (Washington Post), and features composer Jessica Krash performing the pieces for solo piano.

COMPOSITIONAL IMPROVISATIONS: FROM THE MYSTERIA, VOL. 1 is Gregory Hall's debut collection of improvisational classical music based on contemporary music theory, performed by the composer himself. Hall's improvisations feature sprawling-yet-contained passages that weave in and out of harmonic motives, drifting away from centralized themes and seamlessly returning to the source material. The tracks on COMPOSITIONAL IMPROVISATIONS draw from Hall's live concerts of compositional improvisation, which harken back to the days when improvisation was commonplace in classical performance.

Written in the summer of 2011 for David J. Martins and the Boston University Wind Ensemble, Boston-based composer Ketty Nez's thresholds is a piano concerto inspired by music of different eras, including the canonic manipulations of Renaissance vocal music, piquant harmonies of Elizabethan virginal composers, Stravinskian reinterpretations of Baroque idioms, and occasionally, a huge barrel organ. As a kind of musical actor, the piano soloist theatrically leads the ensemble in abrupt changes of style and character so as to create a fractured world with sonic allusions changing rapidly and repeatedly.

Joyous and energetic, sad and lyrical, images of light and cascading colors-these varied striking moods can all be used to describe composer Kirk O'Riordan's six chamber works on his premiere Ravello Records release, STRANGE FLOWERS. The six pieces on the album tell a story together, captivating the audience with its accessible but nuanced sound.

Musical idioms have changed and adapted over the centuries. AN EVOLVING CYCLE, Gheorghe Costinescu's second Ravello release features four works for solo piano in which the composer explores the transition of these idioms from Baroque to 21st-century contemporary, charting the evolution of form and technique with a deft control of style. Stephen Gosling, a ubiquitous NYC pianist hailed as "brilliant" and "luminous and poised" (New York Times), performs the four works: Theme and Variations, an energetic, virtuosic, and challenging piece with a chorale-like theme; Sonata for the Piano, a combination of classical sonata and variational forms with elements, toward the end, of ragtime and jazz; Evolving Cycle of Two-Part Modal Inventions for Piano, a multi-part piece whose character, from simple to complex and from traditional to innovative, sets the tone for the entire album; and Essay in Sound, a reflection of Costinescu's own experience, thoughts, and feelings regarding the piano.

RUNES, the new album by composer Robert Dusek and pianist Bryan Pezzone, is a compilation of specially selected solo piano works, and provides the listener with an immersive and cohesive listening experience. Often sparse, sometimes impetuous – "The music is at once very stark, and then seems to propel itself to the next scene or chapter with some unseen, and unheard, energy", says PARMA Recordings Lead Producer, Andy Happel.

NIGHT VOICED, the new release by San Francisco composer Mark Winges, is a collection of warm sounding and texturally rich works featuring the viola in a lush variety of solo, duo, and trio contexts. The title of the album is based on the individual composition of the same name, which is from a poem by Carolyn Forché, "a viola, night-voiced, calls into its past but nothing comes," and reflects the often nocturnal feeling of the program. Other titles such as wary-gliding, ghostly, "Melted Red, Frozen Black", and "Here (marginally buoyant)," offer a hint of the delightful vignettes and turns the music takes along the way.

On TRIUMVIRATE, composer Walter Ross' second release on Ravello Records, the concerto is showcased as a genre, illustrating that tension and opposition can create balance and richness. Throughout the three concerti, themes, timbres, rhythms, and tempos juxtapose each other, building webs of contrasting musical elements and textures. In Ross' Clarinet Concerto, the two outer movements, "Fantasia" and "Capriccio," move with the energy of dance rhythms while the middle movement, "Romanza," drifts with dreaminess and impressionistic lyricism.

Ravello Records is pleased to announce the first installment of its compilation series, VANGUARDS VOL. 1, presenting a deep cross-section of the label's contemporary and eclectic catalog. The album features performances by the London Symphony Orchestra, pianist Kate Boyd, the McCormick Percussion Group, the New Hudson Saxophone Quartet, pianist Amy Briggs, the Grammy-nominated Strung Out Trio, and many more in works by contemporary composers such as Alan Beeler, Stefan Poetzsch, Michael Veloso, Lisa Miles, Hubert Howe, Scott Brickman, Alan Schmitz, and others.

An individual's experiences might well be laid out like a map: some moments connected to others, some isolated, and still some yet to be explored. Composer Matthew Malsky creates an aural map of emotions on his debut Ravello release, GEOGRAPHIES & GEOMETRIES. The composer remarks, "More specifically, in composing I'm trying to adapt the sensations and the emotional responses evoked by particular places and incidents (real or imagined) into sonic form."

This solo piano album featuring Canadian pianist Jane Solose, presents works by American composers George Gershwin, Louis Moreau Gottschalk, Amy Beach, Chen Yi, Deniz Ince, and James Fry.