Catalog

New from Ravello Records comes AUTUMN WINDS, a collection of chamber music composed by Kirk O’Riordan. The music, which features pianist and PARMA recording artist Holly Roadfeldt along with soprano Ann Moss and Peter Dutilly playing viola, is as challenging as it is alluring; O’Riordan takes listeners to the outskirts of tonality in order to elucidate questions of beauty, existence, and mortality.

“A poet who composes,” Chinese artist Gordon Eagle presents cross-cultural sounds and styles in his music for soprano and piano. MELANCHOLY IS LIKE A PLUME OF SMOKE features a collection of five songs with music and lyrics penned by Eagle. This new Ravello Records album mingles ancient Chinese poetic traditions and Western sounds in one forward-thinking recording.

James Dashow’s double album SONGS FROM A SPIRAL TREE—new from Ravello Records—collects many of Dashow’s vocal works into an abundant two-disk set. The album presents his compositions for voice, with instruments and electronic sounds, setting poems by Theodore Roethke, John Ashbery, John Berryman and Gian Giacomo Menon.

Guitarist William Anderson presents GENIUS LOCI, an anthology compilation highlighting his storied career as both a composer and a performer. The album features Anderson’s work with a variety of ensembles as well as his solo guitar music. The New York Times has deemed Anderson “the alert guitarist,” and with good reason; his playing reveals his passionate attention to detail. Anderson was mentored in the musical values of late Modernism, but now seeks compelling music without strictly aligning himself with particular aesthetic ideologies. The resulting anthology from Ravello Records captures the color and breadth of Anderson’s more-than three decades in the music industry.

Ravello Records proudly presents THE TRAVELLED ROAD from operatic composer Evan Mack. The album is a bold and progressive work featuring compositions that are thoroughly grounded in the modern era. A Little More Perfect sets the text of Justice Anthony Kennedy’s majority opinion on Obergefell v. Hodges, which made marriage equality the law of the land. Three Reflections of Sister Dorothy tells the story of martyred nun Sr. Dorothy Stang and her fight to save the rainforest. The Road and the End expresses the eponymous 1916 Carl Sandburg poem as a musical tour de force, performed by vocal powerhouse Megan Marino. Mack is a firm believer that opera should be theater grounded in climactic expression, delivering larger-than-life stories while harnessing the full athletic thrill of singing; THE TRAVELLED ROAD embodies this philosophy.

Ravello Records and The Sonic Arts Ensemble present LIVE FROM THE MULTIVERSE, an album leveraging the possibilities of online performance and expanding the boundaries of contemporary music. Musicians from three different continents connect through the internet on low latency, high quality audio networks to perform repertoire ranging from composed, notated scores to freely structured pieces born from masterfully executed ensemble improvisation. With the utilization of extended techniques, singing bowls, and imaginative sound design, the ensemble develops and thrives in an enticing and innovative soundscape.

Composer David Mastikosa’s ESCAPE is the work of an ambitious young composer whose skill belies his age. Born in 1992 in Bosnia and Herzegovina, Mastikosa is currently one of the most active contemporary classical music composers in his home country, and writes music for film and media. ESCAPE features works composed in a variety of styles and arrangements. Poslovice is a chamber piece inspired by old Serbian folk proverbs and suggests a hidden, tongue-in-cheek storyline. Detune was written specifically to encourage younger pianists to explore the vast soundscapes locked within the instrument. Trichord for Viola and Accordion is purposefully sparse; Mastikosa leaves free space for performers to exercise their own creativity. ESCAPE is both an artistic triumph in its own right and an early milestone in Mastikosa’s promising career.

INTERSECTIONS from the dynamic chamber group Khemia Ensemble invites listeners to meditate on the confluence of beginnings, endings, and the hope and grief that can accompany those events. With intersections of acoustic chamber music, electronics, and multi-genre influences, the album features a stinging commentary on microagressions (Sink’s Bite!), a tumultuous mother/daughter relationship (Freund’s Song of Persephone), a tender lullaby dedicated to his newborn son, rooted in a family ritual of planting a cottonwood tree (Benavides’ Little Cloud), an exploration of memory inspired by Yayoi Kusama’s infinity rooms (Biedenbender’s in a field of stars), and an assertion of identity through Bollywood melodies and American pop sensibilities (Shekhar’s Don’t Beat a Word). By showcasing commissioned music by five living composers, Khemia Ensemble demonstrates their commitment to reflecting broader perspectives in contemporary classical chamber music.