Catalog

Ravello Records is proud to present AMERICAN CARNAGE, an album of chamber music by composer Ken Walicki. Well traveled and well versed in an array of different genres, Walicki shares numerous personal experiences and influences in these pieces, from blissful moments of natural beauty to musical reflections on his formative years and beyond. Masterfully performed by members of the Los Angeles-based Divan Consort, AMERICAN CARNAGE offers exuberance and zest from start to finish, a satisfying and equally authentic listening experience.

New from Ravello Records comes composer James O’Callaghan’s ALONE AND UNALONE, a scintillating dance between reality and abstraction that is sure to spark the listener’s imagination and unearth their most primal misgivings. Montréal-based O’Callaghan has been laurelled with innumerable awards and prizes for his work–and rightfully so. Marrying traditional instruments, ambient sounds, and the incomparable power of the human voice, ALONE AND UNALONE dares the listener to grapple with solitude.

From Stravinsky-esque rhythms and impressionistic harmonies to Xerox® machine-inspired gestures, Eight Strings & a Whistle – comprised of flutist Suzanne Gilchrest, violist Ina Litera, and cellist Matthew Goeke – present a diverse selection of contemporary and 20th-century works that highlight the ensemble’s blend of technical prowess and emotive interpretation on their debut Ravello Records release ALBERT’S WINDOW.

The Ravello Records release ACE COMPOSERS features the music of three composers in the same family: Alan Schmitz and his two sons, Christopher and Eric. Though Alan describes the three composers as having different influences, their music is linked by connections to popular musical genres, which each references in some manner in a work featured on the album.

At times meditative, at times sparklingly abstract, 5X4 is an album of contrasts. Composer Lawrence Axelrod offers a multi-faceted selection of original compositions which push the limits of musical craft – all contained within the quartet setup, but in varying instrumentations. The range begins with the eternal classic, the string quartet, progresses to a less-orthodox quartet of flute, clarinet, violoncello, and piano, escalates to an otherworldly ensemble of percussion, and finally culminates with a hypnotic double bass quartet. Axelrod's 5X4 is carefully conceptualized and altogether well-wrought; often contemplative, and always original.