Catalog

CYCLES OF FORMATION from John Ritz presents varying degrees of prescribed musical material and open-form elements. Each piece explores the potential interactions between human performance and interactive computer signal processing algorithms within a particular musical context. Featuring jazz pianist Gabe Evens, and classical percussionist Greg Byrne, and Ritz himself as the album’s composer, cellist, and analog synthesist, this Ravello Records release delivers a stimulating world of electroacoustic sound, a smooth blend of suspense and innovation.

Montréal percussionist David Therrien Brongo dexterously creates dynamic musical worlds on CONFLUENCE, a highly melodic album of solo percussion compositions by French Canadian contemporary composers. Both meditative and stimulating, the album makes for an impressive demonstration of the possibilities of this rare genre. Brongo's world-class performance is not only highly virtuosic in the technical sense, but also emotionally rich, nuanced, and deeply saturated with empathy. There is a zen-like quality to his interpretations, in which the silences are given as much gravitas as the sound around them, and both notes and rests are searing with constant energy. It's a remarkable approach, and instantly recognizable.

WHAT SHE SAW features two epic, large-scale works from composer Douglas Anderson. These gripping vocal works focus on the lives of two archetypal women: Cassandra of ancient Greece and The Woman of modern times. The first work, Cassandra Songs, tells the story of a Trojan priestess gifted with the power of prophecy but cursed to never be believed. The 11 songs that comprise this first work depict the arc of her tragic struggle. THROUGH/IN, the second major work on the album, is a one-woman chamber opera in which the modern Woman confronts herself through the looking glass. With words by Andrew Joffe, WHAT SHE SAW is a dramatic tour-de-force.

Owing to the collaboration and performance of hundreds of students, faculty, and staff collaborators, the Penn’s Woods Festival Orchestra, the University of Maryland Wind Orchestra, and the Penn State University Wind Ensemble perform alongside Lee Hinkle to acclaim the percussion concerti of three modern American composers. Hinkle meets the evolving modal complexity of Maurice Wright’s Concertpiece for Marimba and Orchestra with the same central drumset vivacity that breathes life into Evan Ziporyn’s Impulse Control, while still saving space for the solemn anthem layered in the rich solo instrumentation of Steven Stucky’s Concerto for Percussion and Wind Orchestra. Whether on marimba, drumset, or any percussive tool between, Hinkle shines solo in the seven-year cumulation of a monumental musical undertaking, coming together as MODERN AMERICAN PERCUSSION CONCERTI.