Catalog

McDUO is the latest Ravello release from Robert McCormick and Kim McCormick. The Tampa-based husband-and-wife duo are the featured performance on this release, which includes compositions from James Lewis, Daniel Adams, Paul Reller, Stephen Montague, Howard Buss, Chihchun Chi-Sun Lee and Hugo Weisgall. The McCormick Duo has been featured on several recordings since forming to develop and perform repertoire in the flute/percussion and flute/marimba idioms.

Daniel Adams’ SHADOW ON MIST was originally released in 2002 and was lauded as “unique and non-predictable” (Percussive Notes) and “delightful” (Twenty-First Century Music). Featuring stellar performances by the New Music Tampa Symphonic Wind Ensemble and the McCormick Percussion Ensemble, SHADOW ON MIST provides a cross-section of Daniel Adams’ works for wind ensemble, large percussion ensemble, and solo instruments.

THE FOUR SEASONS was originally released in 2008 and was lauded as “consistently absorbing” and “one of a new kind” (AllMusic). Featuring stellar performances from sixteen performers, THE FOUR SEASONS highlights Pierre Schroeder as a master of jazz-classical fusion.

This release from Robert Baksa was originally released in 1991 and was lauded as “brilliantly stated” (Phoenix Gazette) and “courageously and attractively retrograde” (Arizona Daily Star). Featuring stunning interpretations by The Virtuosi Quintet and pianist Aeree Kim, this album is a highlight in contemporary collections of accessible classical music.

RESONANT EDGES was originally released in 2007 and features performances by pianists Dianne Frazer Cross, Peter Henderson, Mark E. Hussung, and Denise Fillion, clarinetist Karen Dannessa, flutists Deanna R. Little and Lisa A. Jelle, soprano Dorothy Maddison, and the Seattle New Music Ensemble.

NO SUGGESTION OF SILENCE was originally released in 2001 and was lauded as "truly refreshing " (21st Century Music) and "sophisticated" (New Music Connoisseur). Featuring performances by pianist John Root, flutist Hugh Williams, The Next Stage Speaking Chorus, The Barbad Chamber Orchestra with violinist Sebu Sirinian and conductor Ramin Heydarbeygi, The Choir of the Church of St. Mary the Virgin, and the Goliard Chorale with the P.S. 122 Children's Chorale, clarinetist Thomas Piercy, cellist Jane Lawson, and pianist Judith Olson.

CULTURE SAMPLES was originally released in 2008 and features the McCormick Percussion Group with flutists Kim McCormick and Margaret Lancaster performing works by Chihchun Chi-sun Lee, Andre Jolivet, Zack Browning, David Rogers, Daniel Adams, and Michael Sidney Timpson.

TRAVELER’S TALE was originally released in 2007 and features on-disc performances by flutist/composer Byron Petty, pianist Shuko Watanabe, clarinetist Roger Quigley, hornist Wallace Easter, guitarist Robert Trent, trumpeter Chris Magee, organist Daniel Brinson, and violinists Mark Taylor and Janice Vincent.

Paul Kirby's FOUR SONATAS was originally released in 2008, and features stellar performances by Rodger Lee, Steve Graff, Erin Lesser, James Noyes, and Yegor Shevtsov.

With THE PALEST ROSE, a collection of works for solo piano, chamber ensemble, chorus, and orchestra, Oregon-based composer Mark Vigil strives to appeal to the listener's heart, urging them to hear the music based on its beauty alone. This release serves as a retrospective of Vigil's varied works for a variety of configurations, and serves as an astute sampling of his compositional output as a whole.

Bruce Mahin’s TIME CHANTS was originally released in 1995, and was lauded as “a well-constructed essay” by Twentieth Century Music.

SHADOWS OF ANCIENT DREAMS was originally released in 1997, and features clarinetist F. Gerard Errante performing the works of Charles Bestor, Robert Scott Thompson, Todd Winkler, Douglas Quin, and Michael Lowenstern.

David Bennett Thomas' CHAMBER WORKS was originally released in 2005, and was lauded as "immediately engaging" (Philadelphia Music Makers) and "concise and comprehensible" (American Record Guide).

The works of Andrew May nearly defy classification, seamlessly blending the personal expressiveness of traditional classical performance with the alien landscape of ambient computer music. On IMAGINARY FRIENDS, his debut release, May invites the listener to experience the drama of people and machines making intimate chamber music together, blurring the lines between human and inhuman, and traditional and experimental.

Composed in the wake of 9/11, Barry Seroff's Democracy is a multifaceted, genre-spanning examination of the spiritual and philosophical roots of American thought. Calling on texts from Quaker preachers, American poets, Japanese haiku, and Nietzsche, Seroff forms a flowing narrative charting our cultural development from the innocence and purity of infancy through the growing awareness of adolescence and adulthood, to our ultimate peacemaking with the joy of childhood. Seroff draws influences including classicism, jazz, hardcore punk and more and stitches the seemingly disparate elements of inspiration and source materials into an organic, evolving piece that seeks to explain the intricacies and history of American culture.

Joyous and energetic, sad and lyrical, images of light and cascading colors-these varied striking moods can all be used to describe composer Kirk O'Riordan's six chamber works on his premiere Ravello Records release, STRANGE FLOWERS. The six pieces on the album tell a story together, captivating the audience with its accessible but nuanced sound.

As leading instrumentalists of their generation, the musicians of Trio Verlaine, David Harding (viola), Lorna McGhee (flute), and Heidi Krutzen (harp), offer spellbinding interpretations, and a kaleidoscopic range of colors in their debut Ravello Records release SIX DEPARTURES, including both old and newly commissioned works.

The rush and restlessness of our daily lives can be like a fog, an opaque shroud that can distract from the enlightening experiences of nature. On her debut Ravello Records album THROUGH THE MIST, composer Pamela J. Marshall presents several works that find their origins in the composer's experiences with the natural world.

The conch shell exemplifies the versatility, sublimity, and transcendence of nature - a natural dwelling, a biological work of art, and, as shown by the City of Tomorrow, an instrument. NATURE, the debut Ravello Records release by the City of Tomorrow wind quintet - consisting of Elise Blatchford, flute; Stuart Breczinski, oboe; Camila Barrientos Ossio, clarinet; Laura Miller, bassoon; and Leander Star, horn - showcases works by four contemporary composers that explore the evolution of humanity's relationship with nature.

As a ferocious wind storm spins up all things in its path, The Tornado Project, conceived by composers Ricardo Climent and Paul Wilson, cuts a path through the repertoire of 21st-century electroacoustic music, presenting a collection of works for flute, clarinet, and computer-generated sound that explore the chaotic beauty of this trio. With performances by two American wind virtuosi - clarinetist Esther Lamneck and flutist Elizabeth McNutt - these works showcase the skills of the musicians, their dynamic relationships with the computer, and the composers' innovative, colorful, and resourceful styles.