Catalog

Ravello Records presents SOPRANO SUMMIT from revered saxophonist Paul Cohen. Alongside his work as a performer, Cohen is known for his passionate scholarship, rediscovering long-forgotten saxophone works as well as arranging related music for the instrument. In this, his latest contribution, Cohen presents an album of music for the soprano saxophone in chamber and solo settings.

From compelling solo interpretations to dramatic instrumental flourishes, saxophonist Paul Cohen revives original works for saxophone that were lost or unknown for decades. On HEARD AGAIN FOR THE FIRST TIME, Cohen is joined by the Eastern Wind Symphony under Todd Nichols and an impressive roster of soloists who breathe fresh life into this centuries-spanning collection.

With SUFFICIENT TROUBLE, his debut release on Ravello Records, composer and performer Brian Belet offers a selection of computer music composed over the last twenty years. Featuring acoustic instruments and responsive electronic materials the disc offers a degree of variety in timbre and musical content that is sometimes lacking in electronic music. In Lyra, the album’s opening track, Belet establishes an aural world in which the organic material and electronic content merge seamlessly, clearly defining the musical language to come as the album progresses.

On FROM A FAR-OFF WORLD (2006), saxophonist and bass clarinetist Demetrius Spaneas performs compositions for woodwinds and electronics. Along with two interludes for alto saxophone composed by Spaneas, the album includes Shaun Naidoo’s Walking in the Dirt for bass clarinet and Blood on the Pattern for alto saxophone, along with Jane Brockman’s Tagore Songs for soprano saxophone.

Ravello Records presents VANISHING POINT, featuring saxophonist Allen Harrington and organist Lottie Enns-Braun in an unusual instrumental pairing not often heard in classical repertoire. “The saxophone and organ are wind instruments that rarely occupy the same space at the same time,” says Enns-Braun, “and it is our contention that this seemingly incongruous combination is actually quite perfect.”

Leslie Odom’s debut solo Ravello Records album, SCENE RUSTIQUE, introduces rarely-performed solo works for oboe by five female composers of the twentieth century. The pieces range from light, vernacular-inspired dance pieces to neo-classical and neo-romantic works. The selections showcase the many abilities of the oboe from lush, lyrical melodies full of romance and interpretation, to more playful technical passages filled with syncopation and chromaticism.

On their latest Ravello Records release THE POSTCARD SESSIONS, the Harrington/Loewen Duo offers a sampling of evocative, colorful works for saxophone that have become perennial favorites of both performers and audiences. The album is emblematic of the saxophone’s European ancestry, as well as the saxophonists’ commonplace imperative to arrange works for their instrument.

Ravello Records announces the second installment of its compilation series, VANGUARDS 2, presenting a deep cross-section of the label's contemporary and eclectic catalog. The album features performances by the London Symphony Orchestra, pianist Gregory Hall, the McCormick Percussion Group, mezzo-soprano Elaine Huckle, the Kiev Philharmonic Orchestra, Boston Musica Viva, guitarist Alex Lubet, Seattle Symphony Orchestra, and many more in works by contemporary composers including Mary Ann Joyce-Walter, Herbert Deutsch, Walter Ross, Rachel Lee Guthrie, Mark Vigil, Kim Halliday, Andrew May, Mel Mobley, Marga Richter, and others.

Ravello Records is pleased to announce the first installment of its compilation series, VANGUARDS VOL. 1, presenting a deep cross-section of the label's contemporary and eclectic catalog. The album features performances by the London Symphony Orchestra, pianist Kate Boyd, the McCormick Percussion Group, the New Hudson Saxophone Quartet, pianist Amy Briggs, the Grammy-nominated Strung Out Trio, and many more in works by contemporary composers such as Alan Beeler, Stefan Poetzsch, Michael Veloso, Lisa Miles, Hubert Howe, Scott Brickman, Alan Schmitz, and others.

THE LYRIC CLARINET, the new release on Ravello Records, showcases a collection of works, originally for voice, which are transcribed, arranged, and performed by international performing and recording artist F. Gerard Errante. Errante selected compositions from German, French, and North and South American composers that illustrate the affinity between the clarinet and the human voice.

David Bennett Thomas' CHAMBER WORKS was originally released in 2005, and was lauded as "immediately engaging" (Philadelphia Music Makers) and "concise and comprehensible" (American Record Guide).

Bruce Mahin's SHADOWS was originally released in 1991, and features adept performances by Elizabeth Curtis, Al Wojtera, Caryl Conger, Adam Mahonske, Mark Lortz, Kujit Rehncy, and David Shunway.

Paul Kirby's FOUR SONATAS was originally released in 2008, and features stellar performances by Rodger Lee, Steve Graff, Erin Lesser, James Noyes, and Yegor Shevtsov.

TRAVELER’S TALE was originally released in 2007 and features on-disc performances by flutist/composer Byron Petty, pianist Shuko Watanabe, clarinetist Roger Quigley, hornist Wallace Easter, guitarist Robert Trent, trumpeter Chris Magee, organist Daniel Brinson, and violinists Mark Taylor and Janice Vincent.

REFLECTED LIGHT was originally released in 1995 and features stunning performances by pianists Jerome Reed, Jeananne Albee, and Sibylle Dotzauer; cellist Mary Lou Rylands; harpsichordist Ursula Trede-Boettcher; clarinetist Markus Lucke; The Constitution Brass; and the Chamber Choir of the Staatliche Jochschule fur Musik.

A CONCERT OF MUSIC BY ALLEN BRINGS was originally released in 2008 and features stunning performances by pianists Allen Brings and Eric Huebner, soprano Jennifer Foster, the Atlantic String Quartet, Talujon, and Flexible Music.

Violist Shelly Tramposh has led an extensive career as chamber musician, orchestral player, and teacher, and her varied experiences allow her to play her instrument with an effortless grace that can only be described as having SPREZZATURA. Tramposh, accompanied by Cullan Bryant—one of the most active collaborative pianists in New York—performs works by Paul Chihara, Paul Siskind, Benjamin Britten and Paul Hindemith with the emotion and intensity of each piece’s inspiration, whether it be the doldrums of illness and celebration of health in Chihara’s Sonata for Viola and Piano or Hindemith’s tumultuous sonata, written after being blacklisted by the Nazi party in Germany. Tramposh and Bryant form a masterful duo, and are able to capture the tone of each piece with virtuosic flourish and clarity.

This release from Robert Baksa was originally released in 1991 and was lauded as “brilliantly stated” (Phoenix Gazette) and “courageously and attractively retrograde” (Arizona Daily Star). Featuring stunning interpretations by The Virtuosi Quintet and pianist Aeree Kim, this album is a highlight in contemporary collections of accessible classical music.

WHEN WIND COMES TO SPARSE BAMBOO was originally released in 2003. Saxophonist Demetrius Spaneas performs works by Bach, Rands, Britten, Persichetti, Debussy, Martino, Tower, and Heim with contemporary grace, providing new and varied settings to standard and contemporary works.

THE FOUR SEASONS was originally released in 2008 and was lauded as “consistently absorbing” and “one of a new kind” (AllMusic). Featuring stellar performances from sixteen performers, THE FOUR SEASONS highlights Pierre Schroeder as a master of jazz-classical fusion.