Catalog

ESSAYS AND SKETCHES is an album unreleased works of American composer and longtime Sam Houston State University faculty member Newton D. Strandberg. Featuring performances by orchestras and ensembles from around the globe, the four pieces on this recording—Essay for String Orchestra, Amenhotep III, String Trio, and Acts for Orchestra—serve as an astute collection of Standberg's output as a composer. More than a musical release alone, ESSAYS AND SKETCHES serves as a retrospective of Strandberg's prolific career, housing a collection of writings, visual art, scores, and more, all compiled by Strandberg's peers, students, and admirers from SHSU.

Legendary composer, author, and educator Herbert Deutsch presents his newest album, ENCOUNTERS: JAZZ, SONGS & CHAMBER MUSIC, on Ravello Records. The music, performed by the American Chamber Ensemble, is unflaggingly groundbreaking; Deutsch, who in 1964 collaborated on the development of the Moog Synthesizer and composed music for its first live performance, deepens his legacy of innovation with this latest collection.

DREAMS is the latest release from New York-based composer Craig Madden Morris. This album features a variety of Morris’ compositional styles, including the passionate Violin Concerto, the Caribbean-flavored Tropical Dances, the intimate Piano Trio, the elegiac Cello Rhapsody and the loving, gentle Dream Songs. Known for his intelligently complex and unique-yet-accessible compositions, Morris complements his works with his knowledge of the instruments for which he composes.

Welcoming the new day in the world of composer Maija Hynninen is not soft like early morning rays. In DAWN BREAKS, Hynninen does away with the cliches of warmth and comfort in the morning. Performing all of the electronics on this album, Hynninen characterizes everything in her world, presenting soundscapes that are truly unique.

Composer Debra Kaye's debut Ravello Records release, AND SO IT BEGINS, catapults the listener into her deep universe of sound - an expedition down one New York City street and up another, through the warp and weft of interior landscapes, to Taos Mountain, on a journey through a dream, a dying, a love - as she blends her classical roots with traces of jazz, pop, world music, the pulse of city rhythms, and the expansiveness of spacious landscapes.

Christopher J. Keyes’s new album, Ravello Records’ A CONNOTATION OF INFINITY, speaks directly to why listeners should embrace the transgressive element of electronics in traditional classical music. Keyes, who wrote as much software for the album as he did music, employs what he calls a 3D audio for a more immersive listening experience. Keyes’s latest release, which features performances of select pieces on video, envelopes and entrances the minds of listeners from all walks of life.

At times meditative, at times sparklingly abstract, 5X4 is an album of contrasts. Composer Lawrence Axelrod offers a multi-faceted selection of original compositions which push the limits of musical craft – all contained within the quartet setup, but in varying instrumentations. The range begins with the eternal classic, the string quartet, progresses to a less-orthodox quartet of flute, clarinet, violoncello, and piano, escalates to an otherworldly ensemble of percussion, and finally culminates with a hypnotic double bass quartet. Axelrod's 5X4 is carefully conceptualized and altogether well-wrought; often contemplative, and always original.

On 3: THE MUSIC OF GINA BIVER, her debut recording on Ravello Records, composer, guitarist, vocalist and producer Gina Biver presents five selections featuring the concept-based new music/new media performing collective Fuse Ensemble, a group in which she has played an integral part for the past decade. Not only did Biver compose the five tracks on the album, she either performed on, produced, mixed and/or engineered many of them.