Catalog

KEEP GOING: THE MUSIC OF ELIAS TANENBAUM features the chamber and solo works of the late Elias Tanenbaum performed by Ensemble Pi. The pieces demonstrate Tanenbaum's ability to turn his emotional reactions to world events into music that illustrates both the life-changing grief and need for change that those events cause. As Tanenbaum himself said, "What is there left in any of us but to keep going?" Ensemble Pi is a new music ensemble dedicated to performing the music of both living composers and undiscovered composers of the past. Keep Going is the ensemble's tribute to Tanenbaum, whose beautiful and thought-provoking music has never received the widespread recognition it deserves.

EXCURSIONS is a two-disc set featuring the works of Utah composer Marie Nelson Bennett. Bennett paints beautiful portraits with her music, musically illustrating the scenery of a field of flowers, the movements of the ocean, the sorrow of a funeral, and more. Featured performers on EXCURSIONS include Richard Stoltzman, Holly Gornick, and Solveig Lunde Madsen.

“What music encapsulates the 90s?” This question is usually answered with grunge, alt-rock, manufactured pop, hip-hop, or any combination thereof. With 90S TIMEFLOW, composer Alan Schmitz steers us in another direction with a collection of contemporary classical works that represents the overarching themes of his work throughout the decade. The melodic, evocative, and accessible works on this release cap off a revolutionary century of classical composition with the perfect balance of influence and ingenuity.

THE FOUR SEASONS was originally released in 2008 and was lauded as “consistently absorbing” and “one of a new kind” (AllMusic). Featuring stellar performances from sixteen performers, THE FOUR SEASONS highlights Pierre Schroeder as a master of jazz-classical fusion.

WHEN WIND COMES TO SPARSE BAMBOO was originally released in 2003. Saxophonist Demetrius Spaneas performs works by Bach, Rands, Britten, Persichetti, Debussy, Martino, Tower, and Heim with contemporary grace, providing new and varied settings to standard and contemporary works.

This release from Robert Baksa was originally released in 1991 and was lauded as “brilliantly stated” (Phoenix Gazette) and “courageously and attractively retrograde” (Arizona Daily Star). Featuring stunning interpretations by The Virtuosi Quintet and pianist Aeree Kim, this album is a highlight in contemporary collections of accessible classical music.

Violist Shelly Tramposh has led an extensive career as chamber musician, orchestral player, and teacher, and her varied experiences allow her to play her instrument with an effortless grace that can only be described as having SPREZZATURA. Tramposh, accompanied by Cullan Bryant—one of the most active collaborative pianists in New York—performs works by Paul Chihara, Paul Siskind, Benjamin Britten and Paul Hindemith with the emotion and intensity of each piece’s inspiration, whether it be the doldrums of illness and celebration of health in Chihara’s Sonata for Viola and Piano or Hindemith’s tumultuous sonata, written after being blacklisted by the Nazi party in Germany. Tramposh and Bryant form a masterful duo, and are able to capture the tone of each piece with virtuosic flourish and clarity.

A CONCERT OF MUSIC BY ALLEN BRINGS was originally released in 2008 and features stunning performances by pianists Allen Brings and Eric Huebner, soprano Jennifer Foster, the Atlantic String Quartet, Talujon, and Flexible Music.

REFLECTED LIGHT was originally released in 1995 and features stunning performances by pianists Jerome Reed, Jeananne Albee, and Sibylle Dotzauer; cellist Mary Lou Rylands; harpsichordist Ursula Trede-Boettcher; clarinetist Markus Lucke; The Constitution Brass; and the Chamber Choir of the Staatliche Jochschule fur Musik.

TRAVELER’S TALE was originally released in 2007 and features on-disc performances by flutist/composer Byron Petty, pianist Shuko Watanabe, clarinetist Roger Quigley, hornist Wallace Easter, guitarist Robert Trent, trumpeter Chris Magee, organist Daniel Brinson, and violinists Mark Taylor and Janice Vincent.

Paul Kirby's FOUR SONATAS was originally released in 2008, and features stellar performances by Rodger Lee, Steve Graff, Erin Lesser, James Noyes, and Yegor Shevtsov.

Bruce Mahin's SHADOWS was originally released in 1991, and features adept performances by Elizabeth Curtis, Al Wojtera, Caryl Conger, Adam Mahonske, Mark Lortz, Kujit Rehncy, and David Shunway.

David Bennett Thomas' CHAMBER WORKS was originally released in 2005, and was lauded as "immediately engaging" (Philadelphia Music Makers) and "concise and comprehensible" (American Record Guide).

THE LYRIC CLARINET, the new release on Ravello Records, showcases a collection of works, originally for voice, which are transcribed, arranged, and performed by international performing and recording artist F. Gerard Errante. Errante selected compositions from German, French, and North and South American composers that illustrate the affinity between the clarinet and the human voice.

Ravello Records is pleased to announce the first installment of its compilation series, VANGUARDS VOL. 1, presenting a deep cross-section of the label's contemporary and eclectic catalog. The album features performances by the London Symphony Orchestra, pianist Kate Boyd, the McCormick Percussion Group, the New Hudson Saxophone Quartet, pianist Amy Briggs, the Grammy-nominated Strung Out Trio, and many more in works by contemporary composers such as Alan Beeler, Stefan Poetzsch, Michael Veloso, Lisa Miles, Hubert Howe, Scott Brickman, Alan Schmitz, and others.

Ravello Records announces the second installment of its compilation series, VANGUARDS 2, presenting a deep cross-section of the label's contemporary and eclectic catalog. The album features performances by the London Symphony Orchestra, pianist Gregory Hall, the McCormick Percussion Group, mezzo-soprano Elaine Huckle, the Kiev Philharmonic Orchestra, Boston Musica Viva, guitarist Alex Lubet, Seattle Symphony Orchestra, and many more in works by contemporary composers including Mary Ann Joyce-Walter, Herbert Deutsch, Walter Ross, Rachel Lee Guthrie, Mark Vigil, Kim Halliday, Andrew May, Mel Mobley, Marga Richter, and others.

On their latest Ravello Records release THE POSTCARD SESSIONS, the Harrington/Loewen Duo offers a sampling of evocative, colorful works for saxophone that have become perennial favorites of both performers and audiences. The album is emblematic of the saxophone’s European ancestry, as well as the saxophonists’ commonplace imperative to arrange works for their instrument.

Leslie Odom’s debut solo Ravello Records album, SCENE RUSTIQUE, introduces rarely-performed solo works for oboe by five female composers of the twentieth century. The pieces range from light, vernacular-inspired dance pieces to neo-classical and neo-romantic works. The selections showcase the many abilities of the oboe from lush, lyrical melodies full of romance and interpretation, to more playful technical passages filled with syncopation and chromaticism.

Ravello Records presents VANISHING POINT, featuring saxophonist Allen Harrington and organist Lottie Enns-Braun in an unusual instrumental pairing not often heard in classical repertoire. “The saxophone and organ are wind instruments that rarely occupy the same space at the same time,” says Enns-Braun, “and it is our contention that this seemingly incongruous combination is actually quite perfect.”

On FROM A FAR-OFF WORLD (2006), saxophonist and bass clarinetist Demetrius Spaneas performs compositions for woodwinds and electronics. Along with two interludes for alto saxophone composed by Spaneas, the album includes Shaun Naidoo’s Walking in the Dirt for bass clarinet and Blood on the Pattern for alto saxophone, along with Jane Brockman’s Tagore Songs for soprano saxophone.