Catalog

WHEN WIND COMES TO SPARSE BAMBOO was originally released in 2003. Saxophonist Demetrius Spaneas performs works by Bach, Rands, Britten, Persichetti, Debussy, Martino, Tower, and Heim with contemporary grace, providing new and varied settings to standard and contemporary works.

Ravello Records is pleased to announce the release of the late composer-performer Frank A. Wallace’s album, WALLACE PLAYS WALLACE. This multi-disc compilation is a wide-ranging culling of the noted guitarist/composer’s decades of masterful classical guitar performances of his own compositions. In the wake of the artist’s passing in 2020, the album distills his prolific output down to all of Wallace’s own solo classical guitar works that he played, recorded, and released during his lifetime. Wallace’s music, known for its extraordinary breadth of color and concept, has been heralded as “beautifully played and superbly recorded” by Classical Guitar Magazine. Wallace displays his trademark blend of sophisticated virtuosity and transfixing musicality in this crowning consummation of his recorded solo works.

Ravello Records presents VANISHING POINT, featuring saxophonist Allen Harrington and organist Lottie Enns-Braun in an unusual instrumental pairing not often heard in classical repertoire. “The saxophone and organ are wind instruments that rarely occupy the same space at the same time,” says Enns-Braun, “and it is our contention that this seemingly incongruous combination is actually quite perfect.”

Ravello Records announces the second installment of its compilation series, VANGUARDS 2, presenting a deep cross-section of the label's contemporary and eclectic catalog. The album features performances by the London Symphony Orchestra, pianist Gregory Hall, the McCormick Percussion Group, mezzo-soprano Elaine Huckle, the Kiev Philharmonic Orchestra, Boston Musica Viva, guitarist Alex Lubet, Seattle Symphony Orchestra, and many more in works by contemporary composers including Mary Ann Joyce-Walter, Herbert Deutsch, Walter Ross, Rachel Lee Guthrie, Mark Vigil, Kim Halliday, Andrew May, Mel Mobley, Marga Richter, and others.

Ravello Records is pleased to announce the first installment of its compilation series, VANGUARDS VOL. 1, presenting a deep cross-section of the label's contemporary and eclectic catalog. The album features performances by the London Symphony Orchestra, pianist Kate Boyd, the McCormick Percussion Group, the New Hudson Saxophone Quartet, pianist Amy Briggs, the Grammy-nominated Strung Out Trio, and many more in works by contemporary composers such as Alan Beeler, Stefan Poetzsch, Michael Veloso, Lisa Miles, Hubert Howe, Scott Brickman, Alan Schmitz, and others.

TRAVELER’S TALE was originally released in 2007 and features on-disc performances by flutist/composer Byron Petty, pianist Shuko Watanabe, clarinetist Roger Quigley, hornist Wallace Easter, guitarist Robert Trent, trumpeter Chris Magee, organist Daniel Brinson, and violinists Mark Taylor and Janice Vincent.

Composer Mark Edwards Wilson and Ravello Records present TIME VARIATIONS, a stirring journey through the dimensions of musical style. Wilson blends soprano vocals with piano and electroacoustic synthesizers, flute with electronic tape, and experiments with the stylistic boundaries of solo violin and chamber ensembles in works inspired by poetry, Greek mythology, and various musical expressions throughout time. By fusing the idioms of early music with contemporary compositional concepts, Wilson has created a modulating and continuously transforming stylistic synthesis that awaits listeners.

On their latest Ravello Records release THE POSTCARD SESSIONS, the Harrington/Loewen Duo offers a sampling of evocative, colorful works for saxophone that have become perennial favorites of both performers and audiences. The album is emblematic of the saxophone’s European ancestry, as well as the saxophonists’ commonplace imperative to arrange works for their instrument.

THE LYRIC CLARINET, the new release on Ravello Records, showcases a collection of works, originally for voice, which are transcribed, arranged, and performed by international performing and recording artist F. Gerard Errante. Errante selected compositions from German, French, and North and South American composers that illustrate the affinity between the clarinet and the human voice.

THE FOUR SEASONS was originally released in 2008 and was lauded as “consistently absorbing” and “one of a new kind” (AllMusic). Featuring stellar performances from sixteen performers, THE FOUR SEASONS highlights Pierre Schroeder as a master of jazz-classical fusion.

While the saxophone quartet has a relatively short history compared to traditional classical its wind and string counterparts, its repertoire has been rapidly expanding. Combining the suppleness of a string quartet, power of a brass quintet, and extroverted color of a wind quintet, the saxophone has truly blossomed as a unique and accepted voice by composers and listeners. With composers such as Glass, Cage, Berio, Flagello, Xenakis, Wuorinen, Keuris, and Bolcombe writing substantial pieces, its place in today’s classical music scene is secure and growing. On THE AMERICAN MUSE, the New Hudson Saxophone Quartet performs American music that spans beyond a century, from 1879 to 1999. Whether it is the classicist Florio, jazz-inspired Wilder, nostalgic Copland, or post-minimal Torke, each work is of a singularly different nature yet all identifiable as American in style and spirit.

Amy Briggs brings to life a variety of tangos from different composers on TANGOS FOR PIANO. Proposed by composers from UC Davis, the disc features works from Laurie San Martin, Yu-Hui Chang, Pablo Ortiz, Ross Bauer, Yvar Mikhasoff’s International Tango Collection, Astor Piazzolla, and many more. The different backgrounds and compositional variety of each composer highlight the breadth and possibilities of the tango, which Briggs captures impeccably on the solo piano.

With SUFFICIENT TROUBLE, his debut release on Ravello Records, composer and performer Brian Belet offers a selection of computer music composed over the last twenty years. Featuring acoustic instruments and responsive electronic materials the disc offers a degree of variety in timbre and musical content that is sometimes lacking in electronic music. In Lyra, the album’s opening track, Belet establishes an aural world in which the organic material and electronic content merge seamlessly, clearly defining the musical language to come as the album progresses.

Violist Shelly Tramposh has led an extensive career as chamber musician, orchestral player, and teacher, and her varied experiences allow her to play her instrument with an effortless grace that can only be described as having SPREZZATURA. Tramposh, accompanied by Cullan Bryant—one of the most active collaborative pianists in New York—performs works by Paul Chihara, Paul Siskind, Benjamin Britten and Paul Hindemith with the emotion and intensity of each piece’s inspiration, whether it be the doldrums of illness and celebration of health in Chihara’s Sonata for Viola and Piano or Hindemith’s tumultuous sonata, written after being blacklisted by the Nazi party in Germany. Tramposh and Bryant form a masterful duo, and are able to capture the tone of each piece with virtuosic flourish and clarity.

Born in Finland, educated internationally, and now living in Norway, Rebecka Sofia Ahvenniemi knows a thing or two about blending eclectic ideas. On her new Ravello Records release SOUNDTRACK OF AN IMAGINARY OPERA, she toys with established perceptions of music and philosophy, reconciling artificial language and acoustic explorations with deconstructionist ideas.

SOUND PORTRAITS was originally released in 2003 and was lauded as “miraculous” and “performed with much skill and devotion” (Fanfare). Featuring adept performances by clarinetist Anne Thurmond, pianist Paul Thurmond, and soprano Linda Ferreira, SOUND PORTRAITS is another highlight in Vollinger’s catalog of work that unites speech and melody into one.

Ravello Records presents SOPRANO SUMMIT from revered saxophonist Paul Cohen. Alongside his work as a performer, Cohen is known for his passionate scholarship, rediscovering long-forgotten saxophone works as well as arranging related music for the instrument. In this, his latest contribution, Cohen presents an album of music for the soprano saxophone in chamber and solo settings.

SIDEWALK MUSIC was originally released in 2002 and represents the composer’s quest “to write electronically-made music that communicates any number of different ideas or emotions.” The music on this release is an enticing exploration into the endless possibilities of expression through the manipulation of pre-recorded and electronic sounds.

SHADOWS OF ANCIENT DREAMS was originally released in 1997, and features clarinetist F. Gerard Errante performing the works of Charles Bestor, Robert Scott Thompson, Todd Winkler, Douglas Quin, and Michael Lowenstern.

Bruce Mahin's SHADOWS was originally released in 1991, and features adept performances by Elizabeth Curtis, Al Wojtera, Caryl Conger, Adam Mahonske, Mark Lortz, Kujit Rehncy, and David Shunway.