• Catalog #: RR8096

    Release Date: January 19, 2024

    21st Century
    Avant-Garde
    Solo Instrumental
    Piano
    Saxophone

    Saxophonist Jeffrey Siegfried explores new possibilities for his instrument's dynamic and versatile voice on SHADES from Ravello Records. The title work, Shades, composed by Sean Friar, is a dark and capricious piece, pairing bursts of musical complexity with unsettling stillness. The album also includes Candlewood by Gala Flagello and water-witching by Nicholas Cline, and and Homage to C.P. by Joan Arnau Pàmies, all of which were composed specifically for Siegfried.. The works are inspired by the natural and supernatural worlds; Siegfried aims to express the ineffable through saxophone techniques like multiphonics, which require careful control of the embouchure, fingering, and air-pressure. The resulting music is hauntingly beautiful and deeply compelling.

  • Catalog #: RR7858

    Release Date: September 4, 2012

    21st Century
    Avant-Garde
    Electroacoustic
    Electronic
    Saxophone

    THE ELECTRIC PERFORMER was originally released in 1997 was lauded as "awesome" "at times Cageian and Crumbian" (ClassicalNet).

  • Catalog #: RR8041

    Release Date: September 11, 2020

    21st Century
    Avant-Garde
    Chamber
    Clarinet
    Electroacoustic
    Electronic
    Saxophone

    Jeff Morris presents his fourth Ravello Records release, this one focusing on woodwinds and employing his characteristic live sampling and electronics. CLOSE REEDING is the latest since HEARING VOICES, an album which set its sights on the most fundamentally-human musical instrument: the human voice. Now, Morris turns his attention to woodwind instruments, which he terms the “next most human” family of instruments. By way of digital manipulation and live improvisation, Morris gives this thesis a convincing exposition.

  • Catalog #: RR8042

    Release Date: August 21, 2020

    21st Century
    Avant-Garde
    Percussion
    Piano
    Saxophone

    "I had inquired with a few friends a few months earlier to attempt to take advantage of the stop by setting up a performance opportunity for myself. I learned that there was a great house-concert situation at "Tom's Place" in Berkeley, and was able to secure a date. I was also very lucky to be able to contact and enlist the wonderful keyboardist Eric Glick Rieman, who works often with prepared keyboards. I had some familiarity with his work through my years of hosting the weekly radio program of "creative instrumental music" called The New Edge, on WMBR in Cambridge, MA. A few musicians were suggested to round out the trio, and we were fortunate to end up with fantastically creative percussionist and gong player Karen Stackpole."