Instrumentation: Voice

Mezzo-soprano Elaine Huckle has received acclaim from an early age, lauded for childhood performances of well-known liturgical works and solo recitals through adulthood. Her passion for singing developed at an early age, but was nearly derailed when she was diagnosed with breast cancer. Determined to maintain her career, Huckle found an inner strength to recover—TOWARD THE LIGHT is her celebration of her recovery, and a testament to her willpower to continue a vibrant singing career. With this album—featuring performances of works by masters including Handel, Brahms, and Schubert—Huckle hopes to inspire others to press on and follow their hearts. In her own words, “This is not my story. This is everybody’s story.”

A CONCERT OF MUSIC BY ALLEN BRINGS was originally released in 2008 and features stunning performances by pianists Allen Brings and Eric Huebner, soprano Jennifer Foster, the Atlantic String Quartet, Talujon, and Flexible Music.

KEEP GOING: THE MUSIC OF ELIAS TANENBAUM features the chamber and solo works of the late Elias Tanenbaum performed by Ensemble Pi. The pieces demonstrate Tanenbaum's ability to turn his emotional reactions to world events into music that illustrates both the life-changing grief and need for change that those events cause. As Tanenbaum himself said, "What is there left in any of us but to keep going?" Ensemble Pi is a new music ensemble dedicated to performing the music of both living composers and undiscovered composers of the past. Keep Going is the ensemble's tribute to Tanenbaum, whose beautiful and thought-provoking music has never received the widespread recognition it deserves.

MUSIC FOR KEYBOARD PERCUSSIONS is the debut Ravello release from the McCormick Percussion Group, and explores the musical potential of keyboard-based percussion instruments. This album features the works of Chihchun Chi-Sun Lee, Sven David, Sandstrom, Edward Jay Miller, Daniel Adams, Stuart Saunders Smith, and Michael Sidney Timpson.

Ravello Records and The Sonic Arts Ensemble present LIVE FROM THE MULTIVERSE, an album leveraging the possibilities of online performance and expanding the boundaries of contemporary music. Musicians from three different continents connect through the internet on low latency, high quality audio networks to perform repertoire ranging from composed, notated scores to freely structured pieces born from masterfully executed ensemble improvisation. With the utilization of extended techniques, singing bowls, and imaginative sound design, the ensemble develops and thrives in an enticing and innovative soundscape.

Composer Mark Edwards Wilson and Ravello Records present TIME VARIATIONS, a stirring journey through the dimensions of musical style. Wilson blends soprano vocals with piano and electroacoustic synthesizers, flute with electronic tape, and experiments with the stylistic boundaries of solo violin and chamber ensembles in works inspired by poetry, Greek mythology, and various musical expressions throughout time. By fusing the idioms of early music with contemporary compositional concepts, Wilson has created a modulating and continuously transforming stylistic synthesis that awaits listeners.

Born in Finland, educated internationally, and now living in Norway, Rebecka Sofia Ahvenniemi knows a thing or two about blending eclectic ideas. On her new Ravello Records release SOUNDTRACK OF AN IMAGINARY OPERA, she toys with established perceptions of music and philosophy, reconciling artificial language and acoustic explorations with deconstructionist ideas.

Composer David Mastikosa’s ESCAPE is the work of an ambitious young composer whose skill belies his age. Born in 1992 in Bosnia and Herzegovina, Mastikosa is currently one of the most active contemporary classical music composers in his home country, and writes music for film and media. ESCAPE features works composed in a variety of styles and arrangements. Poslovice is a chamber piece inspired by old Serbian folk proverbs and suggests a hidden, tongue-in-cheek storyline. Detune was written specifically to encourage younger pianists to explore the vast soundscapes locked within the instrument. Trichord for Viola and Accordion is purposefully sparse; Mastikosa leaves free space for performers to exercise their own creativity. ESCAPE is both an artistic triumph in its own right and an early milestone in Mastikosa’s promising career.

INTERSECTIONS from the dynamic chamber group Khemia Ensemble invites listeners to meditate on the confluence of beginnings, endings, and the hope and grief that can accompany those events. With intersections of acoustic chamber music, electronics, and multi-genre influences, the album features a stinging commentary on microagressions (Sink’s Bite!), a tumultuous mother/daughter relationship (Freund’s Song of Persephone), a tender lullaby dedicated to his newborn son, rooted in a family ritual of planting a cottonwood tree (Benavides’ Little Cloud), an exploration of memory inspired by Yayoi Kusama’s infinity rooms (Biedenbender’s in a field of stars), and an assertion of identity through Bollywood melodies and American pop sensibilities (Shekhar’s Don’t Beat a Word). By showcasing commissioned music by five living composers, Khemia Ensemble demonstrates their commitment to reflecting broader perspectives in contemporary classical chamber music.

ASHES TO IMPULSE is an extroverted, highly expressive album of redemption and realization, where harmonies become metaphors and dissonance transforms into catharsis. Conceived by Berklee music professor Gregory T. Glancey, these compositions delve into the core of human struggle, mirroring the very process of creation – a journey from the ashes of doubt to the ignition of artistic impulse. A glimpse into Glancey's labyrinthine mind, ASHES TO IMPULSE unearths emotions as if from a hidden wellspring. These are all chamber music pieces, but they are almost symphonic in their profundity. As a flicker becomes a flame, these musical landscapes transcend with unbridled energy and fiery candor.

WHAT SHE SAW features two epic, large-scale works from composer Douglas Anderson. These gripping vocal works focus on the lives of two archetypal women: Cassandra of ancient Greece and The Woman of modern times. The first work, Cassandra Songs, tells the story of a Trojan priestess gifted with the power of prophecy but cursed to never be believed. The 11 songs that comprise this first work depict the arc of her tragic struggle. THROUGH/IN, the second major work on the album, is a one-woman chamber opera in which the modern Woman confronts herself through the looking glass. With words by Andrew Joffe, WHAT SHE SAW is a dramatic tour-de-force.