Catalog

Taktus Duo’s MIRRORED GLASS is all about examining similarities and differences, like reality and the image in the mirror. Creating a two-sided album, percussionists Greg Harrison and Jonny Smith take inspiration from piano composers Ann Southam and Philip Glass and filter their music through the sounds of the marimba.

MISSOURI BREAKS from composer and guitarist Stuart Weber is a musical meditation on the tension between natural history and modernity. In collaboration with the Sirius Quartet, Weber’s work is largely set in the untamed American West. Night Scribe considers the periodic appearance of Halley’s Comet and wonders where humanity might find itself when the comet next appears in the year 2062. Missouri Breaks takes its musical cues from the Missouri River as it flows through north-central Montana; the tempo is set by the river’s current, the glittering sunlight reflecting off the water inspires Weber’s guitar technique. Weber is deeply familiar with his subject matter, as he credits his upbringing in the Northern Rocky Mountains for giving him the time and space to develop as an artist.

Owing to the collaboration and performance of hundreds of students, faculty, and staff collaborators, the Penn’s Woods Festival Orchestra, the University of Maryland Wind Orchestra, and the Penn State University Wind Ensemble perform alongside Lee Hinkle to acclaim the percussion concerti of three modern American composers. Hinkle meets the evolving modal complexity of Maurice Wright’s Concertpiece for Marimba and Orchestra with the same central drumset vivacity that breathes life into Evan Ziporyn’s Impulse Control, while still saving space for the solemn anthem layered in the rich solo instrumentation of Steven Stucky’s Concerto for Percussion and Wind Orchestra. Whether on marimba, drumset, or any percussive tool between, Hinkle shines solo in the seven-year cumulation of a monumental musical undertaking, coming together as MODERN AMERICAN PERCUSSION CONCERTI.

Betty Wishart and Ravello Records present her latest album: MOODS, featuring her compositions for solo piano as performed by Jeri-Mae Astolfi. These impressionistic pieces, sparked by a swath of concrete and abstract inspirations, explore the full range of timbral textures and colors the piano offers.

Composer Steve Rouse constructs unique and indelible sound worlds on his album MORPHIC RESONANCE, his first release with PARMA Recordings. The album is a revue of Rouse’s chamber music from the last two decades and beyond, and the works featured on MORPHIC RESONANCE demonstrate Rouse’s powerful gifts to create compelling and idiosyncratic musical statements.

Ravello Records proudly presents MUSIC FOR GUITAR AND ELECTRONICS, an album of original works for guitar from composer Mike Frengel. The collection spans 20 years of Frengel’s creative output and features unconventional guitar tunings, instrumental preparations, and virtuosic performances.

Phillip Schroeder's MUSIC FOR PIANO was originally released in 2004, and was lauded as "resonant music played with exceptional grace" (New Classics) and "viscerally relaxing" (NewMusicBox).

MUSIC FOR SOLO PIANO AND VIOLIN AND PIANO was originally released in 2006 and was lauded as “an attractive release” (American Record Guide) and as having “distinctive harmonic and melodic language” (JIAWM). Featuring the complimentary performances of pianists Robert Conway, Lenore Hall, and Tomoko Deguchi and violinist William Bouton, MUSIC FOR SOLO PIANO AND VIOLIN AND PIANO highlights Laurel Firant as an expert of small ensemble and instrumental composition.

MUSIC FOR THE END OF WINTER: NEW AMERICAN WORKS FOR SOLO PIANO features Kate Boyd performing contemporary works from Halle, Frazin, Felice, Schelle, and Koontz. The pieces range from improvisations to classical challenge studies to experimentations in aural resonance. Their variety showcases Boyd's versatility and adaptability at the piano.

MUSIC FROM 3 CONTINENTS presents the choral works of Bruce Mahin and Graham Hair performed by Scottish Voices, harpists Jacqueline Pollauf and Helen Thompson, and clarinetist Alex South. Representing an international collaboration between artists from around the globe, the works on this album draw from various texts and inspirations, uniting to illustrate the connectedness of music and its influence. Included on MUSIC FROM 3 CONTINENTS are Bruce Mahin's Time², three settings of poems by Robert Penn Warren, unified by the nexus of "time passing," and Whitman Psalms, a piece considering the enormity of God and attempting a hypothetical conversation between man and God; and Graham Hair's O Venezia, a progressively accumulating song cycle drawing texts from Venetians and visitors, and Songs from the Turkish, a piece exploring the mysticism of Islam.

Composer Frederic D’Haene creates a remarkable musical world in MUSIC WITH SILENT AITAKE’S. When he was 25 years old, D’Haene began his life-long fascination with gagaku music, or traditional Japanese court music, that has informed his compositional style throughout his career. This study of a musical style different from that of his own culture resulted in what the composer calls “paradoxophony” or “paradoxical coexistence.”

Steven Kemper makes his debut on Ravello Records with his electroacoustic album MYTHICAL SPACES. Kemper combines acoustic instruments and electronics to create meditative compositions that explore the connections between real and imaginary worlds. Kemper writes that “myths represent traces of our collective imagination, and similarities between myths from different cultures point to a shared human experience.”

The conch shell exemplifies the versatility, sublimity, and transcendence of nature - a natural dwelling, a biological work of art, and, as shown by the City of Tomorrow, an instrument. NATURE, the debut Ravello Records release by the City of Tomorrow wind quintet - consisting of Elise Blatchford, flute; Stuart Breczinski, oboe; Camila Barrientos Ossio, clarinet; Laura Miller, bassoon; and Leander Star, horn - showcases works by four contemporary composers that explore the evolution of humanity's relationship with nature.

World-renowned clarinetist F. Gerard Errante’s latest Ravello release NEW MUSIC FOR CLARINET … ANOTHER LOOK is a retrospective compilation of avant-garde works previously recorded by Errante in the LP era. These innovative works of the late 20th century, mostly written for or dedicated to Errante, display his wide-ranging mastery and consummate musicality in an idiom that is challenging as well as engaging and compelling.

NIGHT VOICED, the new release by San Francisco composer Mark Winges, is a collection of warm sounding and texturally rich works featuring the viola in a lush variety of solo, duo, and trio contexts. The title of the album is based on the individual composition of the same name, which is from a poem by Carolyn Forché, "a viola, night-voiced, calls into its past but nothing comes," and reflects the often nocturnal feeling of the program. Other titles such as wary-gliding, ghostly, "Melted Red, Frozen Black", and "Here (marginally buoyant)," offer a hint of the delightful vignettes and turns the music takes along the way.

NOWS from David Rosenboom and Sarah Belle Reid is a captivating expression of the radical challenges brought on by the COVID-19 pandemic. The music examines the notion of “co-presence,” or togetherness, when experienced in isolation. This seemingly self-contradictory concept became an everyday occurrence as in-person gatherings became video conferences. Performer-composers Reid and Rosenboom spent this time passing fragmented musical ideas back and forth. In this organic way, a collection of “sound correspondences” accumulated between the two artists, made with instruments ranging from strings and horns to modular synthesizers, analog signal processors, urban and desert soundscapes, and much more. The resulting album, NOWS, is a post-genre masterpiece that speaks to our unique moment in history.

Long time PARMA composer Doug Anderson is showcasing his legacy with ONE AT A TIME. As the name implies, Anderson’s solo compositions act as milestones to the artist’s musical development through the intimacy of solo instruments. As an instrumentalist early in his expansive career, Anderson found particular affection for live performance. In this album, you will hear the diversity of the composer’s inspiration amid its intense, physical element.

ORPHEUS LEX is composer Marie Nelson Bennett and librettist David Kranes' modern retelling of the ancient Greek myth of Orpheus and Eurydice. Setting Orpheus as a popular folk singer retired in a mountain retreat in Idaho, Bennett-a protégé of Paul Hindemith and a milestonein her field-uses her influences and years of experience to bring the tale to life. Alongside Kranes' libretto, the work spins the classic tale into one of remembrance and looking back into time with a poignant twist.

Ravello Records proudly presents Escape X’s sophomore release, OUR FAVORITE THINGS. The album, which is the group’s first project with Ravello, features the music of contemporary composers and artists ranging from award-winning jazz artist Joe Locke to internationally-renowned New Zealand composer John Psathas and many others. Jazz, percussion, and pop all find a home on OUR FAVORITE THINGS.

Pianist Anne Goldberg and Ravello Records are proud to present PERMUTATIONS, an album highlighting Goldbergs qualities as an interdisciplinary artist. An educator, composer, and cross-disciplinary researcher, Goldberg’s artistry crosses boundaries and permeates her work as a musician with a deep-seated passion for promoting, premiering, and interpreting new music by living composers. Each piece on PERMUTATIONS was written by dear friends of the composer who explore different facets of the human experience. From deeply meditative music to tonally and rhythmically complex miniatures, each piece offers a new realm in which to get lost.