Catalog

On CROSSWIND, flutist Erin Helgeson Torres and saxophonist Michael Rene Torres, who have performed as Tower Duo since 2007, deliver a stunning set of performances which utilize flute and saxophone. Each performance evokes a sensory or psychological experience as wide-ranging as the various sensations encountered in a wet, humid environment, or the juxtaposition of consonance and dissonance. The album accentuates the duo’s emphasis on performing and premiering contemporary works by emerging composers, such as PARMA label-mates Chin Ting Chan and Scott Brickman, as well as one of Torres’ own compositions, the complex and introspective Four Short Episodes.

Jeff Morris presents his fourth Ravello Records release, this one focusing on woodwinds and employing his characteristic live sampling and electronics. CLOSE REEDING is the latest since HEARING VOICES, an album which set its sights on the most fundamentally-human musical instrument: the human voice. Now, Morris turns his attention to woodwind instruments, which he terms the “next most human” family of instruments. By way of digital manipulation and live improvisation, Morris gives this thesis a convincing exposition.

There are a number of established, conservative duo setups in Western music; but DRAX isn't one of them, and doesn't want to be. The saxophone-percussion duo, consisting of saxophonist Leo Saguiguit and percussionist Megan Arns, may be firmly rooted in contemporary American academia, but their music is one thing first and foremost: positively rebellious.

On CENTER CHAMBER, wind, string, and keyboard instrumentalists come together to perform a collection of original and intimate compositions that include the saxophone — particularly Paul Cohen’s conn-o-sax, a rare and long forgotten instrument given new life in contemporary works. The conn-o-sax brings a dark, contemplative quality and infuses a unique tonal and musical spirit to these often lively, brooding, and captivating works. The engaging and brilliant intimacy of the playing eloquently reveals the unique emotional and musical bonds that tie together these exceptional artists. Listeners will undoubtedly agree: CENTER CHAMBER offers a listening experience as special and engaging as the instrument it features.

Indianapolis saxophonist Cecily Terhune dives headfirst into an exploration of heroism on her genre-defying debut album BOON BESTOWED. Harnessing the principles laid out in Joseph Campbell's seminal theory of mythology, Terhune creates a captivating, musical microcosm in which the listener is invited to take center stage as the audacious protagonist. The theory goes as follows: Most myths in human history have an archetypal heroine/hero who answers a call to journey through a supernatural world. After undergoing a transformation of strength and character, the heroine returns equipped with material and/or incorporeal boons to bestow upon her community. Marveling at the highly diverse and exquisite mastery of the saxophone on BOON BESTOWED, one is apt to wonder what supernatural landscapes Terhune might have traversed herself.

While it isn't entirely unusual for musicians to raise musical children, it is fairly rare for a composer to have not one, but two sons who also compose. This is the case for composition professor Alan Schmitz, who, together with his sons Christopher and Eric, presents of ACE COMPOSERS II, a curated selection of contemporary chamber music which proves that the apple sometimes does fall further from the tree, at least in some regards. It would be impossible to mistake either one's works for that of any of the others: too distinct are the individual idiosyncrasies – the swooping, late-Romantic phrases, the sober, experimental minimalism, and the jazzy groove. Nevertheless, they are all united by one commonality – aesthetic appeal seems to run in the family.

The Ravello Records release ACE COMPOSERS features the music of three composers in the same family: Alan Schmitz and his two sons, Christopher and Eric. Though Alan describes the three composers as having different influences, their music is linked by connections to popular musical genres, which each references in some manner in a work featured on the album.