Catalog

CLUSTERS features the computer synthesis-based compositions of New York-based Hubert Howe. Howe, who was one of the first researchers in computer music, uses his vast knowledge of the subject and his studies in sound to create sprawling, atmospheric works that help expose the world of inharmonic partials and nonconventional instruments. Each of his compositions uses the properties of sound in unique ways, leading to carefully crafted and planned soundscapes. Howe’s expertise is reinforced by his accompanying text, which offers detailed explanations of the composition and implementation of each piece.

THE MCLEAN MIX: RAINFOREST IMAGES was originally released in 1993 was lauded as "awesome" (ClassicalNet) and "one of the more convincing Fast-West syntheses since Philip Glass's music for Kundun" (Twentieth Century Music).

FROM MOOG TO MAC is a collection of Deutsch's compositions for and performances on the Moog synthesizer spanning the last 30 years, from works written using the original "portable electronic music studio" to those written on the modern variations. This historic release features developmental tracks tracking the genesis and improvements on the synthesizers, in which Deutsch frequently pushes the boundaries of both musical content and technological innovation.

THE ELECTRIC PERFORMER was originally released in 1997 was lauded as "awesome" "at times Cageian and Crumbian" (ClassicalNet).

GODS, DEMONS, AND THE EARTH was originally released in 1995 was lauded as "awesome" (ClassicalNet) and "surreal" (Twentieth Century Music).

Addressing the man who greatly contributed to the theory of our evolutionary ascent, DEAR DARWIN, the second release on Ravello Records by composer Scott Brickman, explores several themes relating to Charles Darwin's studies and interests including birds, love, world travel, and human boundaries. The song-cycle Dear Darwin is set to 26 poems by Kathleen Ellis and arranged as an abecedarium. Many of Ellis' poems discuss observations of nature and human behavior, some proposing questions and others suggesting answers, while Brickman's compositions consider different relationships between the piano and the soprano voice: he places the piano in three different roles in respect to the soprano - as an imitation, as a supplement, and as harmonic support.

On a starry night, we may find ourselves gazing up and contemplating our own place among the stars and galaxies that reside an unfathomable distance away. On his debut Ravello Records release, SELECTED GALAXIES, composer Samuel Pellman immerses listeners on a dreamy journey deep into the encompassing and mysterious universe in which we live. Throughout the album, the composer depicts the ominous and impressive beauty of space through the use of electronic sound generated by the Kyma System, a symbolic sound design program.

Composer Douglas Bielmeier’s BETTY AND THE SENSORY WORLD is an enveloping musical work that soothingly twists time into a languid river of sound. Along these lines, BETTY AND THE SENSORY WORLD unfolds as one massive work that, though it may be marked in seven constituent sections, flows with very little delineation from one movement to another. This is not to say, however, that BETTY AND THE SENSORY WORLD is static or overly repetitive. Rather, Bielmeier’s creation simply exists on an atypically large scale, which demands the kind of gradual, almost furtive, evolution of musical ideas that characterizes this work.

Ravello Records is proud to present RIPPLING, a new album by composer Robert Morris. Morris recorded the album live at a “Summer at Eastman Concert” in Hatch Recital Hall, in Rochester, NY. Consisting of only two tracks, “Mountain Streams” and “Mysterious Landscape,” these dramatic compositions turn ordinary sounds of nature in extraordinary pursuits of sonic ambience. Like a drop in a pond, both tracks start small and simple only to evolve into an all-encompassing, full sound that excites curiosity while evoking relaxation.

MIND & MACHINE is the first of two electro-acoustic compilations to be released on RAVELLO RECORDS. Featuring the work of seven composers on six tracks, MIND & MACHINE explores the incredible range of works that can be categorized as electro-acoustic, a music in which styles are dictated by the technology that is at the heart of its performance. As far-ranging as are the works themselves are the composers of these pieces.

MIND & MACHINE VOL. 2 is the second electro-acoustic compilation to be released on Ravello Records. Each of the seven composers featured on MIND & MACHINE VOL. 2 offers his or her own striking exploration into the means by which technology can be used to alter time and form to create entirely new musical experiences. This diverse assortment of composers have all taken different paths to reach that goal. The sounds of nature are manipulated or integrated into pieces such as Tom Prescott’s The Singing Forest and Jennifer Bernard Merkowitz’s Les Crapauds de la Fontaine, while Joshua Tomlinson’s Convergences utilizes the natural elements of metal and wood.

INTERFACES explores the different ways a computer can fit in a modern jazz ensemble and still be true to itself. Technology performer Jeff Morris is joined by free jazz icon Karl Berger on vibes and piano as well as innovative New York percussionist Joe Hertenstein. Morris takes sounds from his partners live in the moment and transforms them into his own musical voice with the DNA of acoustic sounds and the fingerprints of digital processing. This live sampling improvisation results in expressively shifting quasi-loops and glitchy melodic gestures, drawn from music that just happened and influencing what the performers will do next.

Using the sounds of handmade paper, electronics, and surf guitar among others, Ted Coffey composes a sometimes fragile, sometimes brutal order that swings from texturalism to song. Written for dance, both fixed media and live computer-mediated performance, Coffey’s music feels spontaneous without sacrificing finely calculated craft.

Jeff Morris's second album, WITH STRINGS, explores the possibilities of 21st-century counterpoint. He builds up rich musical textures by sampling violin and cello live and folding them back into the mix, influencing the performers in turn.

DEVIANT RESONANCES carries the concept of “creative listening" into new dimensions. In addition to the unconventional ways in which the everyday listener is called on to interpret the music, composer David Rosenboom literally uses the action of “listening” as an instrument.

Welcoming the new day in the world of composer Maija Hynninen is not soft like early morning rays. In DAWN BREAKS, Hynninen does away with the cliches of warmth and comfort in the morning. Performing all of the electronics on this album, Hynninen characterizes everything in her world, presenting soundscapes that are truly unique.

Ravello Records is proud to announce the release of FIRST LIGHT, featuring performances of two innovative works by composer Jackson Greenberg. In FIRST LIGHT, human inspiration and the machine mind come together to produce music of startling richness and beauty.

GENETIC DRIFT, a 17-piece collection from electronic music composer Joel Gressel, is among the latest releases from Ravello Records. The various tracks featured on the album were composed over the course of 20 years, each using the same set of sophisticated compositional rules to produce their unique sounds.

In HEARING VOICES, his third album of electronic music with Ravello Records, Jeff Morris captivates the psyche with music that is equal parts space age and primeval. With Morris’s characteristic sensitivity, the collection harnesses the expressive power of digital glitches, sonic manipulation, and underneath it all, the human voice.

Work metamorphosis through various media — INTROSPECTION’s subtitle says it best. The Zagreb Academy of Music returns to Ravello Records with their characteristic forward thinking. Music professors from the Academy come together to not only release piano pieces from the Academy, but to use these pieces as the source material for new electronic compositions. The result is INTROSPECTION.