Catalog

Violist Shelly Tramposh has led an extensive career as chamber musician, orchestral player, and teacher, and her varied experiences allow her to play her instrument with an effortless grace that can only be described as having SPREZZATURA. Tramposh, accompanied by Cullan Bryant—one of the most active collaborative pianists in New York—performs works by Paul Chihara, Paul Siskind, Benjamin Britten and Paul Hindemith with the emotion and intensity of each piece’s inspiration, whether it be the doldrums of illness and celebration of health in Chihara’s Sonata for Viola and Piano or Hindemith’s tumultuous sonata, written after being blacklisted by the Nazi party in Germany. Tramposh and Bryant form a masterful duo, and are able to capture the tone of each piece with virtuosic flourish and clarity.

Composer and guitarist André M. Santos showcases his chamber works on his debut Ravello Records release SOUNDS OF A DIFFERENT UNIVERSE. Santos wrote each of the pieces featured on the album for fellow musicians and friends, resulting in a kaleidoscope of diverse personalities and styles. To this end, the sounds in his pieces indeed inhabit a different universe—his colorful chamber works bring together unexpected and intriguing combinations of instruments and timbres.

James Dashow's SOUNDINGS IN PURE DURATION VOL 2 offers listeners a unique audiophile experience. The album of Dashow’s music for electronic sounds and instrumental soloists includes the last four works in the Soundings in Pure Duration series as well as the re-release of his Bourges Magisterium prizewinning work ...at other times, the distances. The album is available on DVD, giving listeners access to surround-sound (5.0) mixdowns of the pieces as well as composer-prepared stereo mixdowns that have been spatially enhanced to approximate a wider audio field. According to Dashow, this presentation of his octophonic and quadraphonic electronic music is second only to a live concert performance in terms of realizing his artistic vision for the music.

Ravello Records presents SOPRANO SUMMIT from revered saxophonist Paul Cohen. Alongside his work as a performer, Cohen is known for his passionate scholarship, rediscovering long-forgotten saxophone works as well as arranging related music for the instrument. In this, his latest contribution, Cohen presents an album of music for the soprano saxophone in chamber and solo settings.

Phillip Schroeder's SONGS OF MY AFFINITIES was originally released in 2003, and was lauded as "gems of the American repertoire" (New Music Connoisseur) and "striking and beautiful" (Sequenza21).

James Dashow’s double album SONGS FROM A SPIRAL TREE—new from Ravello Records—collects many of Dashow’s vocal works into an abundant two-disk set. The album presents his compositions for voice, with instruments and electronic sounds, setting poems by Theodore Roethke, John Ashbery, John Berryman and Gian Giacomo Menon.

On his debut release on Ravello Records, SONG OF THE CENTRAL TREE, enigmatic Australian composer Ron Nagorcka presents an eclectic collection of his chamber and electroacoustic works that highlight his affinity and aptitude for creating complex and asymmetrical rhythmic patterns, utilizing just intonation, and, in a number of works, reflecting the Australian landscape. Nagorcka’s intricate cross-rhythms, use of the didjeridu and microtonal melodies reflect the influence of Australian indigenous culture, while the theory behind the rich contrapuntal and harmonic textures he achieves using microtones has roots in ancient Greece and Asia as well as medieval and renaissance Europe.

Clarinetist Andrea Cheeseman infuses every note of her performances with a sense of passion and purpose. It is with this intentionality that she approaches Ravello Records’ SOMEWHERE, an album of electroacoustic works that expand the clarinet repertoire to new heights while also showcasing Cheeseman in the genre where she feels most at home.

SOLO NON SOLO, the debut Ravello Records release of the Teatro dell'Opera di Roma's bass clarinetist Sauro Berti, presents contemporary works for solo bass clarinet as well as for traditional and unusual duos, including those with percussion, saxophone, narration, and electronics.

SOLI FOR TUBA, ZHENG, HORN WITH PERCUSSION is percussionist Robert McCormick’s tenth album with PARMA Recordings. On their latest album, the McCormick Percussion Group performs five compositions from four distinct composers, each of whom contributes striking works that range from personal to global inspiration.

The McCormick Percussion Group returns to Ravello Records for their sixth release, SOLI FOR SOPRANO WITH PERCUSSION ORCHESTRA. In the vein of their past work, this album showcases the collaboration of solo soprano, featuring critically acclaimed soprano Jamie Jordan and percussion orchestra. Lyrically, the pieces are influenced by the modernist texts of poet Wallace Stevens, the holy influence of the Bible, and the concept of opposites. This unique combination of voice and percussion explores traditional human values, freedom as a necessity of expression, and the sensuality of sound and imagery.

Ravello Records is proud to release SIX ECOACOUSTIC QUINTETS / AVIAN TELEMETRY, the newest album from Matthew Burtner. In collaboration with Omar Carmenates, the Furman Percussion Ensemble, and the Shi Center for Sustainability, Burtner’s compositions incorporate avian biology, soundscape ecology, romantic-period British poetry, ecoacoustic music, and avant-garde percussion performance. And if you find all that surprising, you’re not familiar with the work of these two innovative groups.

As leading instrumentalists of their generation, the musicians of Trio Verlaine, David Harding (viola), Lorna McGhee (flute), and Heidi Krutzen (harp), offer spellbinding interpretations, and a kaleidoscopic range of colors in their debut Ravello Records release SIX DEPARTURES, including both old and newly commissioned works.

Bruce Mahin's SHADOWS was originally released in 1991, and features adept performances by Elizabeth Curtis, Al Wojtera, Caryl Conger, Adam Mahonske, Mark Lortz, Kujit Rehncy, and David Shunway.

Daniel Adams’ SHADOW ON MIST was originally released in 2002 and was lauded as “unique and non-predictable” (Percussive Notes) and “delightful” (Twenty-First Century Music). Featuring stellar performances by the New Music Tampa Symphonic Wind Ensemble and the McCormick Percussion Ensemble, SHADOW ON MIST provides a cross-section of Daniel Adams’ works for wind ensemble, large percussion ensemble, and solo instruments.

Orlando Cela demonstrates his ingenious ability to navigate complexities of postmodernism in chamber music and the avant garde with this rich recording of flute and piccolo treasures for the curious ear. Operating with a creative vision inspired by Frederic Chopin that “simplicity is the final achievement,” Cela invites the listener on a journey of experimental music beginning with Besingrand’s “Le soupir du roseau dans les bras du vent” in which the flutist explores the unexpected possibilities for creating sound with his instrument. Cela furthers the investigation with “Winter Variations,” by Lou Bunk (“featuring John Cage”), investigating, too, the possible extremes in lower dynamics.

Pittsburgh-based composer Philip Thompson presents SEPARATE SELF, his debut release on Ravello Records. Thompson writes that the release is “a reflection of the creative energy that comes from being deeply rooted in a vibrant artistic community.” True to this communal spirit, several of the pieces were composed in collaboration with artists from different disciplines – from robotics and dance with Separate Self to visual art with Nocturnes to film with the score to Will Zavala’s documentary Virgil Cantini: The Artist in Public.

Leslie Odom’s debut solo Ravello Records album, SCENE RUSTIQUE, introduces rarely-performed solo works for oboe by five female composers of the twentieth century. The pieces range from light, vernacular-inspired dance pieces to neo-classical and neo-romantic works. The selections showcase the many abilities of the oboe from lush, lyrical melodies full of romance and interpretation, to more playful technical passages filled with syncopation and chromaticism.

On his debut Ravello Records release ROSE, composer Michael Laurello offers a personal and refined style marked by rhythmic invention, visceral directness, and earnest emotional depth. His music reflects his diverse stylistic influences, which include Western classical music, jazz-fusion, progressive rock/metal, and EDM/IDM. Intricate polyrhythms, high-energy grooves, and a sophisticated harmonic palette are distinctive features of his music. Laurello composes for both traditional and non-traditional musical forces, including symphony orchestra, acoustic chamber ensembles, and works conceived specifically for the recording studio. He has recently collaborated with groups such as So Percussion, the Yale Philharmonia, Sandbox Percussion, and HOCKET.

On ROOT, classical saxophonist and music theorist Jessica Dodge-Overstreet harnesses the ethereal, almost-vocal timbre of the soprano saxophone. Accompanied only by pianist Wan-Ting Yu, Dodge-Overstreet performs music written by a culturally-diverse cast of female composers including Ika Peyron, Germaine Tailleferre, Dora Pejačević, and Teresa Milanollo. From the technically demanding Sonate Slave, with its stratospheric leaps high into the instrument’s uppermost register, to the playful Variations Humouristiques sur l’air de Marlborough for violin and piano which sets the popular folk tune Bear Went Over the Mountain, Dodge-Overstreet brings this versatile and too-often overlooked instrument into the limelight.