Catalog

In his first album with Ravello Records, composer Leonard V. Ball, Jr. presents WORLDS TRANSLUCENT, a collection of works completed across the span of nearly a decade that capture the joys, fears, and fascinations of everyday life. The album, which features music for violin, viola, and piano, deals with the gravity of human mortality alongside the simple amusements of domestic life that counterbalance it.

Celestial Images From The New General Catalog Christopher J. Keyes composer

Throughout his musical career and childhood, American composer Scott Brickman has gathered influences ranging from the European-American classical tradition of the 2nd Viennese School to Elvis Costello and The Beatles. On WINTER & CONSTRUCTION, his debut release on Ravello Records, Brickman maintains these disparate influences and brings them together into well-crafted whole to create sharp, pointed, and modernistic 12-tone pieces for guitar, piano, and violin.

WINE DARK SEA is the debut Ravello release from "music's new rare pair", COULOIR (The Georgia Straight). With evocative, emotional music by today's living composers, WINE DARK SEA will take you to "...a full-hearted space, with a sense of deep compassion for and with the world..." Deftly interpreted and expressively performed by Canada's outstanding contemporary music duo, this music by Jocelyn Morlock, Baljinder Sekhon and Glenn Buhr allows a journey into deep listening. "A profoundly beautiful piece of art." (Glenn Sutherland, Composer)

WAKING THE SPARROW, the premiere recording on PARMA RECORDINGS from classical and baroque guitarist Robert Nathanson and soprano Nancy King, performing as Duo Sureño, is the result of a twenty-year long journey exploring the grandeur of the human voice blended with the vibrancy of the guitar. Interpreting the work of five notable modern composers who were, in turn, inspired by the words of poets throughout the ages, Nathanson and King deliver a stunning performance that is rich in its variety and impressive in scope.

Korean-born Hee Yun Kim returns with a compelling selection of works that reflect her unwavering curiosity about social justice, Eastern philosophy, and transformative change at large on VOYAGE WITHIN. This Navona Records release is first and foremost a journey into the self, and only second a musical exploration. Kim adeptly weaves her insights into profound and harmonious compositions, capturing the essence of her experiences and contemplations. The resulting music is both introspective and reflective, with a foresight and precision that’s almost scientific in nature.

Ravello Records presents VANISHING POINT, featuring saxophonist Allen Harrington and organist Lottie Enns-Braun in an unusual instrumental pairing not often heard in classical repertoire. “The saxophone and organ are wind instruments that rarely occupy the same space at the same time,” says Enns-Braun, “and it is our contention that this seemingly incongruous combination is actually quite perfect.”

Ravello Records announces the second installment of its compilation series, VANGUARDS 2, presenting a deep cross-section of the label's contemporary and eclectic catalog. The album features performances by the London Symphony Orchestra, pianist Gregory Hall, the McCormick Percussion Group, mezzo-soprano Elaine Huckle, the Kiev Philharmonic Orchestra, Boston Musica Viva, guitarist Alex Lubet, Seattle Symphony Orchestra, and many more in works by contemporary composers including Mary Ann Joyce-Walter, Herbert Deutsch, Walter Ross, Rachel Lee Guthrie, Mark Vigil, Kim Halliday, Andrew May, Mel Mobley, Marga Richter, and others.

Ravello Records is pleased to announce the first installment of its compilation series, VANGUARDS VOL. 1, presenting a deep cross-section of the label's contemporary and eclectic catalog. The album features performances by the London Symphony Orchestra, pianist Kate Boyd, the McCormick Percussion Group, the New Hudson Saxophone Quartet, pianist Amy Briggs, the Grammy-nominated Strung Out Trio, and many more in works by contemporary composers such as Alan Beeler, Stefan Poetzsch, Michael Veloso, Lisa Miles, Hubert Howe, Scott Brickman, Alan Schmitz, and others.

With a potent timbre and powerful volume, the saxophone is an instrument that demands respect. Nicki Roman—saxophonist with the award-winning Fuego Quartet—is deftly able to wrest control of the mighty woodwind, making the most of its range and tone. On Ravello Records’ UNQUIET WATERS, Roman takes listeners on a tour of the saxophone’s capabilities, from Leonard Bernstein’s jazzy syncopated rhythms to lyrical wedding marches, to complex works free of barlines. Each piece is different from the last, showcasing not only the breadth and potential of saxophone repertoire, but Roman’s own virtuosity and technique as a performer. Roman is accompanied by longtime collaborator and pianist Casey Dierlam Tse, another herald of new music who plays in lockstep to enrich the saxophone’s tone.

TWO WORLDS CALLED HOME is inspired by composer Caleb Vaughn-Jones’s nine-year journey as an American living abroad in South Africa. In 2011, Vaughn-Jones was a gifted cellist from Baltimore who felt a calling toward the unknown. He abandoned the traditional path of an American musician building a career and instead moved to Port Elizabeth, South Africa to teach music. In this album, Vaughn-Jones employs his skill as a cellist to express the joys and sacrifices he encountered on this incredible adventure. Ava’s Lullaby, for example, was written for his daughter when pandemic restrictions kept him from returning to the United States. Lakutshon' ilanga (The Sun Never Sets), on the other hand, is an isiXhosa song written by Mackay Davashe during the Apartheid era that describes the endless search for a lost love. Joined by pianist Hsin-I Huang, Vaughn-Jones invites listeners on an unforgettable journey.

On TWILIGHT REMEMBERED (2003), musical and marital partners Robert and Kim McCormick join forces as the McCormick Duo, performing percussion and flute, respectively. The album presents a collection of contemporary compositions for these two instruments, including works from Paul Bissell, Elliot Carter, Andre Jolivet, Ralph Shapey, David Heuser, Henri Lazarof, Hilton Jones, Wesley Fuller, Howard Buss, Kent Kennan, and Daniel Adams.

First released in 2002 on Capstone Records, Phillip Schroeder’s TURNING TO THE CENTER is a subdued, atmospheric tour de force of songs written primarily for an ensemble of baritone voice, clarinet, and keyboards. Featuring texts by Walt Whitman, Mark Twain, and Rumi, the three song cycles on this release offer atmospheric and varied writing for the expected baritone, clarinet, and keyboards with occasional forays into the unexpected sound worlds of synthesizer and added percussion.

Whim Ensemble musically explores Dutch painter Piet Mondrian’s artistic abstractions of nature on TREES from Ravello Records. Employing the skills of prepared-piano player Ofer Pelz, percussionist Preston Beebe, and double-bassist Stéphane Diamantakiou, the ensemble combines their years of experience as composers and performers to unearth new textures and timbres for their instruments. The resulting album effuses influences of free jazz, contemporary experimental music, and more to foster a unique take on Mondrian’s creative process and influential artistic output.

TRACER, a collection of recent chamber works by composer Richard Cornell, explores the nature of art and the collaboration that occurs naturally among artists and the interaction between creator and influence. Comprised of live recordings, this album highlights the performers' instincts to respond to one another, interpreting the music as individuals and as a group, and exploring the intricacies of the works as they are played. This release includes a visual version of Tracer, the centerpiece of the album, which serves as a computer-rendered survey of art and culture that guides and morphs the music to match the viewer's progress through time and space; as the viewer travels among an imagined world, the music responds to the imagery.

As a ferocious wind storm spins up all things in its path, The Tornado Project, conceived by composers Ricardo Climent and Paul Wilson, cuts a path through the repertoire of 21st-century electroacoustic music, presenting a collection of works for flute, clarinet, and computer-generated sound that explore the chaotic beauty of this trio. With performances by two American wind virtuosi - clarinetist Esther Lamneck and flutist Elizabeth McNutt - these works showcase the skills of the musicians, their dynamic relationships with the computer, and the composers' innovative, colorful, and resourceful styles.

Bruce Mahin’s TIME CHANTS was originally released in 1995, and was lauded as “a well-constructed essay” by Twentieth Century Music.

The rush and restlessness of our daily lives can be like a fog, an opaque shroud that can distract from the enlightening experiences of nature. On her debut Ravello Records album THROUGH THE MIST, composer Pamela J. Marshall presents several works that find their origins in the composer's experiences with the natural world.

Composer Bill Whitley is no stranger to storytelling through the art of composition. Central themes in his works include that of embarking on a journey, the thrill and spontaneity of discovery, and the comfort and reflectiveness of the eventual returning home. These form a story arc as old as time, beautifully transcribed and made new through Whitley’s compositions.

Ravello Records proudly presents THE TRAVELLED ROAD from operatic composer Evan Mack. The album is a bold and progressive work featuring compositions that are thoroughly grounded in the modern era. A Little More Perfect sets the text of Justice Anthony Kennedy’s majority opinion on Obergefell v. Hodges, which made marriage equality the law of the land. Three Reflections of Sister Dorothy tells the story of martyred nun Sr. Dorothy Stang and her fight to save the rainforest. The Road and the End expresses the eponymous 1916 Carl Sandburg poem as a musical tour de force, performed by vocal powerhouse Megan Marino. Mack is a firm believer that opera should be theater grounded in climactic expression, delivering larger-than-life stories while harnessing the full athletic thrill of singing; THE TRAVELLED ROAD embodies this philosophy.