Catalog

With THE PALEST ROSE, a collection of works for solo piano, chamber ensemble, chorus, and orchestra, Oregon-based composer Mark Vigil strives to appeal to the listener's heart, urging them to hear the music based on its beauty alone. This release serves as a retrospective of Vigil's varied works for a variety of configurations, and serves as an astute sampling of his compositional output as a whole.

On their latest Ravello Records release THE POSTCARD SESSIONS, the Harrington/Loewen Duo offers a sampling of evocative, colorful works for saxophone that have become perennial favorites of both performers and audiences. The album is emblematic of the saxophone’s European ancestry, as well as the saxophonists’ commonplace imperative to arrange works for their instrument.

THE PRELUDES PROJECT is Holly Roadfeldt’s debut album on RAVELLO records, and features a complete recording of Chopin’s Op. 28 preludes for piano and a new set of twenty-six piano preludes written by American composer Kirk O’Riordan. In her performance of these works, Roadfeldt takes claim to one of the most iconic pieces in the solo piano repertoire, and also annoints O’Riordan’s new work as an impressive achievement among Classical music’s greatest sets of piano preludes.

Cultural pessimists might argue that we've never lived in an age as isolated and atomized as this one, and a certain recent pandemic certainly didn't help. Cultural optimists on the other hand might quote German poet Hölderlin: "But where the danger is, also grows the saving power." Whatever the truth may be, the collective minds behind THE QUARANTINE AT THE CORE OF OUR HEARTS elegantly disregarded rumination, and instead chose to act.

Ravello Records proudly presents THE TRAVELLED ROAD from operatic composer Evan Mack. The album is a bold and progressive work featuring compositions that are thoroughly grounded in the modern era. A Little More Perfect sets the text of Justice Anthony Kennedy’s majority opinion on Obergefell v. Hodges, which made marriage equality the law of the land. Three Reflections of Sister Dorothy tells the story of martyred nun Sr. Dorothy Stang and her fight to save the rainforest. The Road and the End expresses the eponymous 1916 Carl Sandburg poem as a musical tour de force, performed by vocal powerhouse Megan Marino. Mack is a firm believer that opera should be theater grounded in climactic expression, delivering larger-than-life stories while harnessing the full athletic thrill of singing; THE TRAVELLED ROAD embodies this philosophy.

Composer Bill Whitley is no stranger to storytelling through the art of composition. Central themes in his works include that of embarking on a journey, the thrill and spontaneity of discovery, and the comfort and reflectiveness of the eventual returning home. These form a story arc as old as time, beautifully transcribed and made new through Whitley’s compositions.

Written in the summer of 2011 for David J. Martins and the Boston University Wind Ensemble, Boston-based composer Ketty Nez's thresholds is a piano concerto inspired by music of different eras, including the canonic manipulations of Renaissance vocal music, piquant harmonies of Elizabethan virginal composers, Stravinskian reinterpretations of Baroque idioms, and occasionally, a huge barrel organ. As a kind of musical actor, the piano soloist theatrically leads the ensemble in abrupt changes of style and character so as to create a fractured world with sonic allusions changing rapidly and repeatedly.

The rush and restlessness of our daily lives can be like a fog, an opaque shroud that can distract from the enlightening experiences of nature. On her debut Ravello Records album THROUGH THE MIST, composer Pamela J. Marshall presents several works that find their origins in the composer's experiences with the natural world.

THROUGH THE REEDS is a collection of woodwind concerti from American composer Walter Ross. Ross, a lifelong musician and composer, has historically worked most closely with instruments in the woodwind family; the four concerti on this album, all of which feature a woodwind solo, highlight his preference for the family and his keen ability to compose works for oboe, bassoon, and flute.

Bruce Mahin’s TIME CHANTS was originally released in 1995, and was lauded as “a well-constructed essay” by Twentieth Century Music.

The Chafe Impett Parra Trio, in partnership with Ravello Records, has released their newest album, TIME CRYSTAL. TIME CRYSTAL is a musical project like nothing you’ve ever heard before—born at the nexus of art and science, this collection of improvisational “experiments” tests the interactions between musical inputs and computer-generated responses. What listeners hear on the recording is actually a methodological documentation of a laboratory session in Ghent, during which three musicians engaged in a fluid and captivating freeform dance. TIME CRYSTAL is electroacoustic music at the very vanguard of the genre; it features violoncello, double bass, trumpet, and electric guitar, and offers listeners the chance to take part in the musical discovery.

Composer Mark Edwards Wilson and Ravello Records present TIME VARIATIONS, a stirring journey through the dimensions of musical style. Wilson blends soprano vocals with piano and electroacoustic synthesizers, flute with electronic tape, and experiments with the stylistic boundaries of solo violin and chamber ensembles in works inspired by poetry, Greek mythology, and various musical expressions throughout time. By fusing the idioms of early music with contemporary compositional concepts, Wilson has created a modulating and continuously transforming stylistic synthesis that awaits listeners.

Pianist Gayle Martin achieved international prominence as the sole American laureate of the sixth International Tchaikovsky Piano Competition in Moscow. The Washington Post called her performance “a tour de force” and praised her artistry for its “intense passion and deep-seated emotional response to the music.” The Woodstock Times cited her recital as one “which, if recorded on 78’s, could have fooled the average pianophile into thinking he or she was listening to one of the greats of the past.” A native of Texas, Gayle was a student of Madame Rosina Lhévinne at The Juilliard School, where she was awarded the coveted Josef Lhévinne Prize.

As a ferocious wind storm spins up all things in its path, The Tornado Project, conceived by composers Ricardo Climent and Paul Wilson, cuts a path through the repertoire of 21st-century electroacoustic music, presenting a collection of works for flute, clarinet, and computer-generated sound that explore the chaotic beauty of this trio. With performances by two American wind virtuosi - clarinetist Esther Lamneck and flutist Elizabeth McNutt - these works showcase the skills of the musicians, their dynamic relationships with the computer, and the composers' innovative, colorful, and resourceful styles.

Mezzo-soprano Elaine Huckle has received acclaim from an early age, lauded for childhood performances of well-known liturgical works and solo recitals through adulthood. Her passion for singing developed at an early age, but was nearly derailed when she was diagnosed with breast cancer. Determined to maintain her career, Huckle found an inner strength to recover—TOWARD THE LIGHT is her celebration of her recovery, and a testament to her willpower to continue a vibrant singing career. With this album—featuring performances of works by masters including Handel, Brahms, and Schubert—Huckle hopes to inspire others to press on and follow their hearts. In her own words, “This is not my story. This is everybody’s story.”

TRACER, a collection of recent chamber works by composer Richard Cornell, explores the nature of art and the collaboration that occurs naturally among artists and the interaction between creator and influence. Comprised of live recordings, this album highlights the performers' instincts to respond to one another, interpreting the music as individuals and as a group, and exploring the intricacies of the works as they are played. This release includes a visual version of Tracer, the centerpiece of the album, which serves as a computer-rendered survey of art and culture that guides and morphs the music to match the viewer's progress through time and space; as the viewer travels among an imagined world, the music responds to the imagery.

TRAVELER’S TALE was originally released in 2007 and features on-disc performances by flutist/composer Byron Petty, pianist Shuko Watanabe, clarinetist Roger Quigley, hornist Wallace Easter, guitarist Robert Trent, trumpeter Chris Magee, organist Daniel Brinson, and violinists Mark Taylor and Janice Vincent.

Whim Ensemble musically explores Dutch painter Piet Mondrian’s artistic abstractions of nature on TREES from Ravello Records. Employing the skills of prepared-piano player Ofer Pelz, percussionist Preston Beebe, and double-bassist Stéphane Diamantakiou, the ensemble combines their years of experience as composers and performers to unearth new textures and timbres for their instruments. The resulting album effuses influences of free jazz, contemporary experimental music, and more to foster a unique take on Mondrian’s creative process and influential artistic output.

On TRIUMVIRATE, composer Walter Ross' second release on Ravello Records, the concerto is showcased as a genre, illustrating that tension and opposition can create balance and richness. Throughout the three concerti, themes, timbres, rhythms, and tempos juxtapose each other, building webs of contrasting musical elements and textures. In Ross' Clarinet Concerto, the two outer movements, "Fantasia" and "Capriccio," move with the energy of dance rhythms while the middle movement, "Romanza," drifts with dreaminess and impressionistic lyricism.

First released in 2002 on Capstone Records, Phillip Schroeder’s TURNING TO THE CENTER is a subdued, atmospheric tour de force of songs written primarily for an ensemble of baritone voice, clarinet, and keyboards. Featuring texts by Walt Whitman, Mark Twain, and Rumi, the three song cycles on this release offer atmospheric and varied writing for the expected baritone, clarinet, and keyboards with occasional forays into the unexpected sound worlds of synthesizer and added percussion.